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IMAGE: Nikolai Suetin,
Suprematist teasets
(Moscow, 1925-1926)
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Along with Il’ia Chashnik, Nikolai Suetin was Kazimir Malevich‘s most devoted disciple.  He first came under the great master’s tutelage during his studies at the Vitebsk School of Art in 1918, where he also trained with the renowned artist Jean Pougny.  Though a skilled painter, designer, and ceramicist in his own right, Suetin spent much of his time promoting Malevich’s body of work and keeping a photographic record of his life.  Unlike his mentor, Suetin never theorized his work in so self-conscious a fashion.  In 1924, however, he recorded a brief artistic creed in staccato verse, disavowing every attempt to systematize his work:
neither non-objectivity
nor object
what?
“X,” I reply
it signifies the sum of my painterly thought
in the world, and hence
the answer to the question
of modernity…
No system binds me, as I am unsystematic.
A reasonably logical premise can demonstrate any system, but I am alogical and therefore overcome the systems of cubism, futurism, and suprematism.”ни беÑпредметноÑÑ‚ÑŒ
ни предмет.
что?
Ñ Ð¾Ñ‚Ð²ÐµÑ‡Ð°ÑŽ X (икÑ)
Ñто значит Ñумма моей живопиÑной мыÑли
на мир и значит
ответ на Ð²Ð¾Ð¿Ñ€Ð¾Ñ Ð¾ÑÑзаниÑ
ÑовременноÑти «…»
ÐÐ¸ÐºÐ°ÐºÐ°Ñ ÑиÑтема не ÑвÑзывает менÑ, ибо Ñ Ð±ÐµÑÑиÑтемен «…»
Разумно логичеÑкой предпоÑылкой можно доказать вÑÑкую ÑиÑтему, но Ñ Ð°Ð»Ð¾Ð³Ð¸Ñ‡ÐµÐ½ и потому преодолеваю ÑиÑтемы кубизма, футуризма и Ñупрематизма «…»
While Suetin authored numerous remarkable works, perhaps his most striking pieces came in the form of Suprematist plateware commemorating the Bolshevik revolution in October 1917. Â These were made over the course of the 1920s, especially from 1922-1928. Â Included in this post are several very high-resolution photographs of these works. Â Enjoy!
Nikolai Suetin’s Suprematist plateware
