I recently finished reviewing Douglas Murphy‘s debut book The Architecture of Failure (2012). For whatever reason, the review took me much longer than I had anticipated. Nevertheless, I am extremely pleased with the result and have submitted it in the hope it might be published somewhere soon.
As a way of disburdening myself of its unbearable weight, in light of its completion, I’m including a gallery that features some of the more impressive photographs and renderings I was able to find of Paxton’s original Crystal Palace at Hyde Park (1851). Of course, it is important to make this specification given the widespread confusion surrounding it and a subsequent (heavily altered) iteration of the Palace after the bulk of its materials were relocated to Sydenham, only now with an arched transept running cruciform along it, bisecting the front vault.
For any Russian readers who might follow my blog, I will leave you with an abbreviated version of Dostoevskii’s literary treatment of the subject in Notes from Underground:
Ð’Ñ‹ верите в хруÑтальное здание, навеки нерушимое, то еÑÑ‚ÑŒ в такое, которому Ð½ÐµÐ»ÑŒÐ·Ñ Ð±ÑƒÐ´ÐµÑ‚ ни Ñзыка украдкой выÑтавить, ни кукиша в кармане показать. Ðу, а Ñ, может быть, потому-то и боюÑÑŒ Ñтого зданиÑ, что оно хруÑтальное и навеки нерушимое и что Ð½ÐµÐ»ÑŒÐ·Ñ Ð±ÑƒÐ´ÐµÑ‚ даже и украдкой Ñзыка ему выÑтавить.
Вот видите ли: еÑли вмеÑто дворца будет курÑтник и пойдет дождь, Ñ, может быть, и влезу в курÑтник, чтоб не замочитьÑÑ, но вÑе-таки курÑтника не приму за дворец из благодарноÑти, что он Ð¼ÐµÐ½Ñ Ð¾Ñ‚ Ð´Ð¾Ð¶Ð´Ñ Ñохранил. Ð’Ñ‹ ÑмеетеÑÑŒ, вы даже говорите, что в Ñтом Ñлучае курÑтник и хоромы — вÑе равно. Да, — отвечаю Ñ, — еÑли б надо было жить только Ð´Ð»Ñ Ñ‚Ð¾Ð³Ð¾, чтоб не замочитьÑÑ.
Human creation is always infinite, nothing is impossible
I always regretted not being able to see Crystal Palace, rather like the Bastille there is nothing left to see.
That is, except from the Crystal Palace Dinosaurs, which were constructed for the new site at Sydenham Hill.
I imagine it to be something like the Palm Houses in Kew Gardens, which, with the help of a few microdots, look into infinite space and rolling time.