Period photographs of Soviet avant-garde built exteriors, 1926-1934

Hi-resolution images

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Image: Nikolai Trotskii,
Stachek region (1933)

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Alesei Shchusev, hotel in Sochi, USSR (1928)

Alesei Shchusev’s hotel in Sochi, USSR (1928)

Just a couple remarks in prefacing these breathtaking photos, nearly all of which have never appeared online.  Even those that have aren’t available on anywhere near the scale or resolution as they are here.  In the past I’ve often posted pictures — sketches, blueprints, proposals, models, etc. — of Soviet modernist structures that were never built, whether they simply could not have been built at the time (given the material, technological, and industrial limitations of the Soviet Union in the 1920s or 1930s) or were abandoned or rejected.  But the focus of this post is on those buildings that were actually built; more specifically, their exterior aspect.  These period photographs should attest to the built legacy of the early architectural avant-garde in the Soviet Union, even if the window during which such pieces of architecture could have been realized was extremely brief. Continue reading

The relationship between psychoanalysis and emancipatory politics

Amanda Armstrong
Platypus Review, № 2
February 2, 2008

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Castoriadis, Marx, and Freud
on time and emancipation

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On two occasions, Sigmund Freud observed that politics, pedagogy, and psychoanalysis are all impossible professions. Cornelius Castoriadis attempted to make sense of this cryptic observation in a 1994 essay entitled “Psychoanalysis and Politics,” in which he argued that, not only are these three “professions” structurally analogous, they are also entangled with each other such that the “impossible” realization of pedagogical or psychoanalytic aims is ultimately conditional upon an emancipatory political transformation.

The impossibility of psychoanalysis as well as of pedagogy lies in the fact that they both attempt to aid in the creation of autonomy for their subjects by using an autonomy that does not yet exist. This appears to be a logical impossibility…But the impossibility also appears, especially in the case of pedagogy, to lie in the attempt to produce autonomous human beings within a heteronomous society…The solution to this riddle is the “impossible” task of politics — all the more impossible since it must also lean on a not yet existing autonomy in order to bring its own type of autonomy into being. [1]

Castoriadis’s analysis of the “impossible possibility” of emancipatory politics, while deformed by his tendency to treat dynamic social formations as static states of being (i.e. “autonomy”), conveys, in a partially veiled form, certain important dimensions of Marxist politics. First, by analogizing social emancipation to pedagogy and psychoanalysis, Castoriadis squarely positions social emancipation along a temporal axis, indicating that Marxists should strive to bring about a break, in time, between an era characterized by “personal independence founded on objective dependence,”[2] and a subsequent era characterized by a more thoroughgoing form of social freedom. The essentially temporal (rather than spatial) nature of this hoped-for “break” has often been forgotten on the Left — an amnesia that has had disastrous consequences for the project of social emancipation.

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Second, Castoriadis’s paradoxical formulation concerning the (non-)existence of the conditions for social autonomy indicates, albeit in a highly attenuated manner, something significant about the ground upon which a possible socialist future might be built. As Marx argued in the Grundrisse, an emancipatory transition to a post-capitalist society would entail the abolition of the value form of social mediation and the freeing up of the social wealth and human capacities accumulated in alienated form under capitalism.[3] In other words, the social form that currently frustrates social emancipation — namely, capital — would also constitute the ground upon which a socialist society would be built. Thus, in a sense, it is right to say that there is no currently-constituted social basis for emancipation, but that the basis for emancipation can nevertheless be found in contemporary society. Were this not the case, as Marx observed in the Grundrisse, “then all attempts to explode [capitalist society] would be quixotic.”[4] As Moishe Postone argues:

The specificity of capitalism’s dialectical dynamic, as analyzed by Marx, entails a relationship of past, present, and future very different from that implied by any linear notion of historical development….In capitalism, objectified historical time is accumulated in alienated form, reinforcing the present, and, as such, it dominates the living. Yet, it also allows for people’s liberation from the present by undermining its necessary moment, thereby making possible the future — the appropriation of history such that the older relations are reversed and transcended. Instead of a social form structured by the present, by abstract labor time, there can be a social form based upon the full utilization of a history alienated no longer, both for society in general and for the individual. [5]

In a brief footnote attached to this passage, Postone observes:

One could draw a parallel between this understanding of the capitalist social formation’s history and Freud’s notion of individual history, where the past does not appear as such, but, rather, in a veiled, internalized form that dominates the present. The task of psychoanalysis is to unveil the past in such a way that its appropriation becomes possible. The necessary moment of a compulsively repetitive present can thereby be overcome, which allows the individual to move into the future. [6]

With this footnote, we return to the analogy between psychoanalysis and emancipatory politics with which we began. In what follows, I want to try and open up some inroads into thinking through the significance of this analogy — is it merely a coincidence, or can we offer an explanation as to why Freud formulated a theory of individual emancipation that was so strikingly analogous to Marx’s formulation of the relationship between history and emancipation?

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One way to make inroads into this comparison of Marx and Freud’s conceptions of time and emancipation is through an examination of Freud’s theorization of the “compulsion to repeat” — a hypothesized compulsion that, in his metapsychological essay “Beyond the Pleasure Principle,” Freud finds evidence for in a number of social and psychological phenomena (from a number of developmental phases and historical eras). He goes so far as to suggest that this “compulsion” might properly be understood as an “urge inherent in organic life to restore an earlier state of things which the living entity has been obliged to abandon under the pressure of external disturbing forces.”[7] The paragraph in which this quote is embedded is directly preceded by a discussion of the psychotherapist’s attempt to help their patient overcome a compulsively repeated present, indicating that Freud conceptualized the psychotherapeutic aim of helping a patient move into the future as somehow continuous with, or relevant to, a broader world-historical problem concerning the socially general “death instinct” — a problem that he would explore more extensively in Civilization and Its Discontents.

Freud’s rapid and undertheorized switching of levels of analysis in these paragraphs, as well as at other points throughout his writings, leads me to hypothesize that Freud partially identified his individual patients with society, and that, in developing his psychoanalytic practice, he was — in part — formulating a veiled model for how society might overcome the “compulsion to repeat” imposed by the value form of social mediation and thus realize the possibilities for human emancipation immanent in the present. Assuming that this explanation of the analogy between psychoanalysis and emancipatory politics is plausible, we (as Left historians) can formulate an ambivalent historical evaluation of Freud: on the one hand, he fostered a conception of the temporal dimension of emancipation at a historical moment during which many Left social theorists were shifting into a spatial frame of reference — a shift that still haunts the Left; on the other hand, by partially identifying individuals with society (instead of — like Marx or Adorno — analyzing the manner in which, under capitalism, the individual mediates society), Freud prepared the ground for Herbert Marcuse and other New Left Freudo-Marxists, who replaced social emancipation with a reified “desire” as the desideratum of Left politics.

Notes

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1. Cornelius Castoriadis, World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination. Ed. & Trans., David Ames Curtis. (Stanford University Press. Stanford, CA: 1997). Pg. 131.

2. Karl Marx, Grundrisse, Trans. Martin Nicolaus. (Penguin and New Left Review. London, England: 1973). Pg. 158.
3. Ibid, pgs. 704–712.
4. Ibid, pg. 159.
5. Moishe Postone, Time, Labor, and Social Domination: A Reinterpretation of Marx’s Critical Theory (Cambridge University Press. New York, NY: 1993). Pg. 377.
6. Ibid, pg. 377, n. 131.
7. Sigmund Freud, “Beyond the Pleasure Principle.” The Freud Reader, Ed. Peter Gay. (Norton and Co. New York, NY: 1989). Pg. 612. Emphasis added.

Ivan Leonidov

These are some utopian sketches and plans by Soviet avant-garde architect Ivan Leonidov.  Here’s a defense of Leonidov’s work against some of the criticisms leveled against it by the rationalist Nikolai Dokuchaev, written up by his fellow constructivist, Aleksandr Kuzmin:

Projects may be criticized in various ways.  Amongst the critics of Leonidov’s projects there is a category of architects who, whilst understanding and recognizing the great importance of the projects to the development of a genuinely contemporary architecture, try by all means fair and foul to discredit them.

True, for all who understand this, such manoeuvers appear dismal and trite.  But unfortunately they do not all understand this.  They do not all see clearly that the heart of the problem can all too easily be littered up with scientific rubbish; not everyone sees that there are very few true theorists of architecture on the pages of our magazine, but a lot of reporters who jump from one case to another and are helplessly attacking issues which are beyond their capabilities.  In just this way Professor Dokuchaev writes in the journal Building Moscow (and when not being unduly familiar, he is incoherent), in an attempt to shape public opinion on Leonidov’s work. Continue reading

The “arkhitektons” and “planets” of Suprematism

Kazimir Malevich, Nikolai Suetin,
and Il’ia Chashnik, 
with an
article by Aleksei Gan

Extracts from SA, 1927
(no. 3, pgs. 104-106)

During recent years comrade Malevich has worked exclusively in the field of volumetric Suprematist compositions, on problems of the volumetric and spatial forms of material masses. This is somewhat related to the tasks facing creators of modern architecture.

Malevich works intuitively…His experience is not organized by consciousness…So while volumetric Suprematism does not yield objects of that concrete social utility without which modern architecture is not architecture at all, they have vast importance as abstract research of new form, as such.

Kazimir Malevich does not accept either [Rationalism or Constructivism]. He pursues his own “purely suprematist” path, on the principle of its “primacy” or “superiority” [pervenstvo]. What then is Suprematist architecture? It is “the primacy of volumetric masses and their spatial solution in consideration of weight, speed, and direction of movement.”

True, this metaphysical formulation does not yield much, to put it mildly, to an intellect thinking materialistically. But Malevich does not only speak, he does, and what Malevich does, we repeat, has great psychological importance. In his new Suprematist volumes and volumetric combinations there is not the smallest particle of atavism.

This is where Suprematist studies can be very important. They could be very beneficially introduced into the Basic Course of the VKhUTEMAS, in parallel to those exercises currently conducted under the influence of the psychologist [Hugo] Münsterberg’s Harvard Laboratory.

The novelty, purity, and originality of abstract Suprematism fosters a new psychology of perception. This is where Malevich’s great contribution will lie.

Le Corbusier in the USSR (1928-1931)

Moscow is a factory for making plans, the Promised Land of technicians (without a Klondike).  The country is being equipped!

— Le Corbusier, “The Atmosphere of Moscow” (1930)

This post includes pictures of Le Corbusier traveling in the USSR, attending conferences, building sites, and on one of Eisenstein’s movie sets (for The Old and the New).

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Soviet board-games, 1920-1938

Games of revolution and industry 

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Image: Reds and Whites, a war game!
A Soviet board-game from 1929.

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It’s the 1920s. You’re a young revolutionary living in the newly-formed Union of Soviet Socialist Republics (USSR). Now that the Allied Intervention’s been frustrated, and the reactionary White Army beaten back, the threat of counterrevolution seems to have momentarily subsided. All in all, it’s a good time to be a Marxist in old Muscovy.

There’s only one problem with this new arrangement: What to do with the free time you’re not spending locked in combat against the tsarists, yankees, and Huns? Sure, you’ve got a job at the local shoe factory. But war communism’s out, and the New Economic Program is in. It’s time to kick back and relax. Communism will be built soon enough.

Luckily, there’s a new product available to help pass the time. A.V. Kuklin’s come out with a whole batch of revolutionary board-games, featuring such riveting class-conscious titles as Electrification, Revolution, Reds vs. Whites, and Maneuvers: A Game for Young Pioneers [Soviet Boy Scouts]. Games for the whole family, even though the family form of property-relations must eventually be abolished. Let the capitalists have their Monopoly; let the imperialists play their Risk. I’ll stick to Modern War or Air Struggle.

Ages 8 and up?

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My favorites among these include the “electrification” board-game, the chemical war game, and the Reds vs. the Whites game. You can tell that they reflect the immediate experience of devastating world war, revolution, and bloody civil war, followed by a project of social engineering and economic modernization the likes of which the world had never seen. The only other thing I’ll say is that, from an aesthetic perspective, one can see the change in the officially-sanctioned styles from the more avant-garde lines, shapes, and typography to the cartoon realism of caricatured figures in the Sots-art of the 1930s. Enjoy!

Marx & Engels, cubed (1971, 2011)

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Cubist statues of Marx and Engels in Budapest, Hungary.

György Segesdi |
// Marx — Engels (1971) |
// Boedapest | Budapest | Будапешт. Granit from Mauthausen, 1971.
// Original location: V. Jászai Maritér.

Capitalist unrealism: Norman Bel Geddes’ Futurama (1939)

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Even capitalism used to be more futuristic.

Unreal City…

— T.S. Eliot, “The Wasteland” (1922)

Horizons

ENTER a new era. Are we ready for the changes that are coming? The houses we live in tomorrow will not much resemble the houses we live in today. Automobiles, railway trains, theaters, cities, industry itself, are undergoing rapid changes. Likewise, art in all its forms. The forms they presently take will undoubtedly have kinship with the forms we know in the present; but this relationship will be as distinct, and probably as remote, as that between the horseless buggy of yesterday and the present-day motor car. We live and work under pressure with a tremendous expenditure of energy. We feel that life in our time is more urgent, complex and discordant than life ever was before. That may be so. In the perspective of fifty years hence, the historian will detect in the decade of 1930-1940 a period of tremendous significance. He will see it as a period of criticism, unrest, and dissatisfaction to the point of disillusion when new aims were being sought and new beginnings were astir. Doubtless he will ponder that, in the midst of a worldwide melancholy owing to an economic depression, a new age dawned with invigorating conceptions and the horizon lifted.

Critics of the age are agreed upon one thought: that what industry has given us, as yet, is not good enough. Another plea of critics hostile to the age is that machines make automatons of men. They fail to see that the machine age is not really here. Although we built the machines, we have not become at ease with them and have not mastered them. Our condition is the result of a swift industrial evolution. If we see the situation clearly, we realize that we have been infatuated with our own mechanical ingenuity. Rapidly multiplying our products, creating and glorifying the gadget, we have been inferior craftsmen, the victims rather than the masters of our ingenuity. In our evolution we have accumulated noise, dirt, glitter, speed, mass production, traffic congestion, and the commonplace by our machine-made ideas. But that is only one side.

We have achieved the beginnings of an expression of our time. We now have some inkling of what today’s home, today’s theater, today’s factory, today’s city, should be. We perceive that the person who would use a machine must be imbued with the spirit of the machine and comprehend the nature of his materials. We realize that he is creating the telltale environment that records what man truly is.

It happens that the United States has seized upon more of the fruits of industrialism than any other nation. We have gone farther and more swiftly than any other. To what end? Not the least tendency is the searching and brooding uncertainty, the quest for basic truths which characterize the present day. Never before, in an economic crisis, has there been such an aroused consciousness on the part of the community at large and within industry itself. Complacency has vanished. A new horizon appears. A horizon that will inspire the next phase in the evolution of the age.

We are entering an era which, notably, shall be characterized by design in four specific phases: Design in social structure to insure the organization of people, work, wealth, leisure. Design in machines that shall improve working conditions by eliminating drudgery. Design in all objects of daily use that shall make them economical, durable, convenient, congenial to every one. Design in the arts, painting, sculpture, music, literature, and architecture, that shall inspire the new era.

The impetus towards design in industrial life today must be considered from three viewpoints: the consumer’s, the manufacturer’s, and the artist’s. In his appreciation of the importance of design the artist is somewhat ahead of the consumer, while the average manufacturer is farther behind the consumer than the consumer is behind the artist. The viewpoint of each is rapidly changing, developing, fusing. More than that, the economic situation is stimulating a unanimity of emphasis, a merger of viewpoints. Continue reading

Soviet avant-garde submissions for the 1929 memorial to Christopher Columbus in Santo Domingo

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The controversy surrounding the celebration of Columbus Day notwithstanding, the various radical Soviet avant-garde project submissions for the 1929 international competition to design a memorial to Christopher Columbus in Santo Domingo were pretty incredible.

Engels’ 1847 speech on Columbus’ accidental journey to what would become known as the Americas is appended below. After that, there are a couple excerpts from Franz Mehring’s 1895 text On Historical Materialism.

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Minutes of Engels’s Lecture to the London German
Workers’ Educational Society on November 30,1847

The discovery of America


Written: November 30, 1847;
Source: MECW Volume 6, p. 627;
First published: in Archiv für die Geschichte des Sozialismus und der Arbeiterbewegung, jg. 8, Leipzig, 1919.


Citizens! When Christopher Columbus discovered America 350 years ago, he certainly did not think that not only would the then existing society in Europe together with its institutions be done away with through his discovery, but that the foundation would be laid for the complete liberation of all nations; and yet, it becomes more and more clear that this is indeed the case. Through the discovery of America a new route by sea to the East Indies was found, whereby the European business traffic of the time was completely transformed; the consequence was that Italian and German commerce were totally ruined and other countries came to the fore; commerce came into the hands of the western countries, and England thus came to the fore of the movement. Before the discovery of America the countries even in Europe were still very much separated from one another and trade was on the whole slight. Only after the new route to the East Indies had been found and an extensive field had been opened in America for exploitation by the Europeans engaged in commerce, did. England begin more and more to concentrate trade and to take possession of it, whereby the other European countries were more and more compelled to join together. From all this, big commerce originated, and the so-called world market was opened. The enormous treasures which the Europeans brought from America, and the gains which trade in general yielded, had as a consequence the ruin of the old aristocracy, and so the bourgeoisie came into being. The discovery of America was connected with the advent of machinery, and with that the struggle became necessary which we are conducting today, the struggle of the propertyless against the property owners. Continue reading