Architecture and politics

“Architecture as politics is by now such an exhausted myth that it is pointless to waste anymore words on it,” sighed Manfredo Tafuri at the outset of his magnum opus, The Sphere and the Labyrinth (1980). Despite Tafuri’s dismissive gesture, many today still insist that architecture possesses considerable political agency. Personally, I’m more inclined to agree with Tafuri. While it would be mistaken to regard architecture and politics as totally unrelated, the precise nature of their interconnection is not at all what most advocates of architecture’s political role seem to think.

And so, without reopening this discussion wholesale, I think there are some basic clarifications that must be made before issuing any judgment about their relationship to architecture. Continue reading

Critical comments on Nick Axel’s recent gloss of Walter Benjamin, “Critique of violence” (1921)

History or metaphysics?

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Image: Walter Benjamin as a young man,
photographed smoking a cigarette (1922)
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Nick Axel recently wrote up an exegetical piece going over Walter Benjamin’s 1921 essay, “The critique of violence” on his blog, Awaking Lucid (mentioned in the last post). I came across it in connection with the other piece Axel wrote, “What is the problem?”, in which Benjamin’s essay likewise plays a crucial role.

Perhaps I’d need the aid of Agamben here, as he is Axel’s primary interlocutor in reading Benjamin, but as things stand I find his account of the essay virtually unrecognizable. At first I thought I must just be misremembering its contents, but upon rereading it I’m left even more confused. Though Axel begins by suggesting that the relation between ethics and violence is his overriding concern, and that Benjamin’s article only interests him insofar as it elucidates this relation, it’s sometimes difficult to distinguish between his concerns and those he ascribes to Benjamin. He writes:

Benjamin starts by declaring that the force of law becomes violent when it infringes on ethical issues, and that it is therefore in relation to law that both ethics and violence exist. Although this strongly echoes the reflex mentioned above with ethics and violence composing the two ends of a spectrum, this juridical framework is fundamentally inadequate as this would sanction violence as ethical as long as history records it as righteous, as is often the case (if not the impetus) of those who write history and depend on its words for the maintenance of their powerful status as embodiments of law.

For one thing, the main tension does not in my view consist in an opposition of ethics to violence. Indeed, “ethics” is almost nowhere to be found in the essay. (Perhaps Axel takes Benjamin to mean “ethics” whenever he speaks of “justice,” and thus ethical/unethical to just/unjust? This seems to me slightly more plausible). Rather, there is the fundamental opposition between means and ends in modes of justification, and then in the sphere of legality between natural and positive law. There is a further gradation between “legitimate” (sanctioned) and “illegitimate” (unsanctioned) uses of violence.

What strikes me most about this text is not what it says about the complexities of violence and its potential deployment or non-deployment toward an end irrespective of place and time, but rather the way Benjamin was attempting to work through the political exigencies of his day. Violence was a salient issue in 1921 because the world had just witnessed the greatest concentrated bloodbath in history to that point. Not only from the interimperialist war, but from the many domestic struggles throughout and the revolutionary struggles between 1917-1923. How could violence be justified in one case and not in the other? Why was it that the unjust slaughter of millions in the trenches of Northern France was perfectly legal according to agreed-upon international rights of war, while the violent attempt to overthrow unjust social relations was everywhere decried as illegal? Continue reading

Plus ça change, plus c’est la même chose

On old and new
in modern times


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Image: Umberto Boccioni,
Charge of the Lancers (1913)


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What follows are just a few quotations I’ve assembled from various authors on the peculiar way time operates in modern society, or “modernity” considered as the temporal index of capitalism. They’re here presented more or less in fragmentary outline, without much commentary or exegesis. Nevertheless, I feel like they all revolve around a common theme, and that they have a certain cumulative effect when grouped together. Please pardon me, however, if they don’t possess the kind of self-evidence I impute to them. It may just be me.

In January 1849, only six months after “the first great battle was fought between the two classes that split modern society” — that is, the proletariat and bourgeoisie — just blocks from his apartment, the Parisian journalist Jean-Baptiste Alphonse Karr unwittingly stumbled upon the temporality that characterizes the capitalist mode of production in a casual quip:

The more things change, the more they stay the same.

Jean-Baptiste Alphonse Karr, epigram (1849) Continue reading

On massive vs. curvilinear structures

from a fragment by an
unknown modernist

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Image: Nikolai Ladovskii, scheme for the
“green city” [зеленый город] in Moscow (1930)

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Not all forms of fatness are structurally equal. It’s one thing to be “curvy”; it’s quite another to be an amorphous blob.

Part of it consists in weight.
Another part in distribution.
Maybe it’s in their balance.

General plan of Moscow (1935): The shapeless Moscow amoeba

General plan of Moscow (1935): The shapeless Moscow amoeba accumulating layers, rings, and folds

Nikolai Ladovskii’s studio at VKhUTEMAS (1920-1930)

With an original translation
of Ladovskii’s 1921 program

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Image: Photograph of Nikolai Ladovskii
during his professorship at VKhUTEMAS

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Special thanks are due to Monoskop for pointing out to me a number of new images, as well as to TotalArch for providing Selim Khan-Magomedov’s selected Russian text online to translate for this post.

Nikolai Ladovskii and students at VKhUTEMAS, 1922

Nikolai Ladovskii and students at VKhUTEMAS, 1922

“On the program of the working group of architects” (1921)

The task of our working group is to work in the direction of elucidating a theory of architecture. Our productivity will depend on the very rapid articulation of our program, on clarifying the investigative methods to be used and identifying the materials we have at our disposal to supplement the work. The work plan can be broken down into roughly three basic points:

I) aggregation of appropriate theoretical studies and existing theories of architecture of all theoreticians,
II) excavation of relevant material from theoretical studies and investigations extracted from other branches of art, which bear on architecture, and
III) exposition of our own theoretical perspectives to architecture.

The result of these efforts must be the compilation of an illustrated dictionary that establishes precisely the terminology and definitions of architecture as an art, its individual attributes, properties etc, the interrelation of architecture with the other arts. The three elements of the work plan relate, in the case of the first, to the past, to “what has been done”; in that of the second, to the present, and “what we are doing,” and in that of the third, to “what must be done” in the future in the field of theoretical justifications of architecture. A commission, which might be necessary to set up for the program’s elaboration, must build upon the foundations we have suggested.

Continue reading

Tragedy, relational art

by Bret Schneider

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Image: Detail from Gustav
Klimt’s Tragoedie (1911)

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Originally posted on Bret Schneider’s website, quaquaqua.

Apperceptive indifference

Some “minor” artworks seem especially indifferent to society. Doubtlessly, it is this affect which exclusively distinguishes them from other artworks, and the idiosyncratic reflection in which this indifference is formed determines their quality. Rather than see indifference as nihilistic, it is a form of apperceptive reflection that is especially insightful, though, towards nothing in particular. This “nothing in particular” is what rubs people the wrong way, but for what reasons? Virginia Woolf’s theory of modern fiction, as well as the essay claimed that there is no detail too insignificant to include in the totality of the work. The philosophy not explicated further in this claim is that we do not know what our values are in the modern age, as everything is free-floating and now yet to be determined. Analogous to film, which Benjamin observed was able to focus on the marginal things which are assumed as materially constitutive of subjectivity, but not recognized as such, literary inclusions of meandering thoughts focus on those things that we know that we know, but don’t know that we know yet. Apperceptive artworks propose that the way to properly perceive the world is no longer dependent on the direct act of standing in front of a painting and straining one’s eyes out the front one’s head, which is a type of muscular reflection obstructed by obsolete moralistic efforts. Rather, apperceptive modes of reflection refine this by an almost peripheral vantage point, postulating that in order to experience something properly, one must not even really look at it. It is a form of indirect experience. Certainly, there is an element of “trying” that is required to train the mind for this type of viewing, but it is a type which doesn’t try to “get it,” or to “experience it,” or “love it,” etc., but a type which is geared towards the development of a second nature of reflection that would render these bourgeois concepts as obsolete as they have truly become, if only in ideal. The development of an adequate apperceptive faculty resides in the self-understanding of one’s perception as not merely watcher, but also watched. That is, reflection imitates the particularly modern condition whereby one is both subject and object, and in which the differentiation from mere objects is in the midst of being processed, so to speak. One grows eyes on the side of one’s head, like a fish, or develops a form of cognition like a fly’s refractive eyesight that takes in ever more distracted objects. The metamorphosis from human to insect is not entirely barbaric — it is a type of second nature. Beckett’s transfiguration of human to static object is not merely a critique of passivity and so forth, but indicates a real perfectability of reflection to a state where it can take in those aspects of nature that are denied to otherwise affirmed humanistic principled. Furthermore, the ability to perceive oneself as an object is a precondition for constituting projected forms of subjectivity.

A young Virginia Woolf

A young Virginia Woolf

The grand excavation

The broad field of human life turns into a grand excavation, the means of which are brought about by a particular form of insight that is indifferent to, and a development out of, the obsolete forms of perceptive and logical thought. A vulgar analogy comes out of detective stories: the modern detective is contrasted in his peculiar attention to details that would otherwise be overlooked by traditional methods of investigation. At times, it appears that the detective isn’t even paying attention, or is indifferent to the serious matter at hand. In pop culture, this is chalked up to a merely eccentric personality, whereas in truth their indifference is at the avant-garde of distant criticism. An immersive, immediate form of investigation into the object at hand would be hindered by standard forms of perception that take grip of the one who is critiquing the situation. In an indifferent form of cognition, there is a distance from such immediacy, almost as if the indifferent thinker has never once been privy to the laws and rules which seem to apply to everyone else. This sort of character is sanctioned and developed as an anomaly — the anomaly being a result of social refinement. Continue reading

Concluding (un)pedantic post-script

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So in the follow-up to the little feud concerning my response to his review of Lincoln, Aaron Bady grew quite upset. Now, I’ve been quite up front about the fact that I’m not myself a specialist on nineteenth-century US history. What little I do know has been mostly cobbled together from introductory texts on the subject in high school and college, Lenin’s detailed study comparing the Southern slave system to serfdom in Russia, and then from numerous conversations with friends who actually are studying the subject for their doctoral research. Despite these numerous disclaimers, Bady insisted that I was “hiding behind someone else” and didn’t know what I was talking about.

More specifically, he wrote:

Aaron Bady: [C]alling Abraham Lincoln an abolitionist is wrong; he was against slavery, but he wasn’t an abolitionist. Someone who knew what they were talking about would know the difference.

This tactic is rather old hat, trying to intimidate potential critics by invoking supposedly hard-and-fast technicalities about the correct usage of terms. The takeaway from this lesson is supposed to be “Wow, this guy is obviously a specialist. I’m not; I don’t even know the most basic nomenclature! I’d better lay off, lest I put my foot in my mouth again.”

Just to hammer this point home, Bady took it further by repeating the procedure a second time:

Aaron Bady: Do you literally not know what Abolitionist means? It doesn’t mean “opposed to slavery.” “Moderate abolitionist” isn’t a thing. Like the vast majority of northern whites, Lincoln spent his life adhering to the free labor principles of Henry Clay, a near majority position that was NOT the same thing as abolitionist. To use the word in its actual meaning, abolitionist means abolishing slavery now, which was a minority position.

Turns out I wasn’t the only one who noticed him trying to give me the rhetorical runaround. There was another discussant in the thread who was wise to this schtick, who messaged me writing:

Unnamed Discussant: Wow, this Aaron Bady guy is a knob. Never had a new social historian pull the “I’m an authority on this, peasant” on me before.

I suppose there’s a first time for everything. Continue reading

Max Ajl vs. Alex Gourevitch in Jacobin on society, nature, and the Left: An intervention

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Alex Gourevitch
, whose presence I greatly appreciated on our environmentalism panel at the Left forum this last year, has been causing quite a stir with his articles “Two Hurricanes” and “Nature and Progress.”  Like Gourevitch, I “come from the minority on the Left that is skeptical of environmentalism.” Some of my polemics on the subject of “the ideology of ‘green’,” especially my long essay on “Man and Nature” (published in the speculative realist journal Thinking Nature), elicited a great deal of outrage from the “small-is-beautiful” Left as well. For example, this neat bit of screed from the environmental philosopher and ecofeminist Ronnie Hawkins:

I find myself virtually speechless in the wake of having read Ross Wolfe’s “Man and Nature,” however, especially in light of its concluding quotation, seemingly with approval, of Trotsky holding forth on “the Socialist man” who “will rule all nature by machine,” changing the course of rivers and cutting down mountains — I am left wondering whether this essay was intentionally crafted to be a cartoonish caricature of a position that has been undergoing an active process of rejection over many years now, and rightly so. At a time in which we are recognizing that we live in a world of limits — not only limits on how much GHG we can stuff into our atmosphere but limits on how much longer we can continue all the complex industrial processes that depend on fossil fuel consumption, including the translocation of staple foods from one continent to another, upon which some millions if not billions today depend — here is an author trotting out the same old, tired anti-Malthusian tirade, without giving the faintest hint of what sort of goal we might be “progressing” toward under his “vision of unlimited human freedom,” apparently unconstrained by any sort of planetary finitude. Wolfe provides not argument but ridicule against the positions of deep ecologists and animal rightists of various stripes, and he betrays an embarrassing lack of familiarity with philosophical ecofeminism. He does environmental philosophy a service, however, by addressing green anarchism head-on, something that the more mainstream journals have shied away from for all too long.

While I’m not quite ready to reject all that goes under the heading of “civilization,” I think a VERY deep critique of the presently dominant, near-global, industrial worldview (cutting at least as far down to the bone as John Zerzan’s problematization of language and the beginning of our primate symbol-use), to be followed by a REVERSAL of the trajectories of many of the activities that are currently being carried out by collective human action — for example, the building of a whole new round of nuclear reactors, and nuclear weapons, and mega-projects of many types as currently contemplated (all ultimately justified on the basis of continuing the growth of our human population indefinitely, though the proximal reasons are often very different) — is absolutely essential if our species is to make it through the twenty-first century. Without some kind of acknowledgment of the wrongness of continuing on in our current direction, and a turning away from it, we will indeed suffer the dystopian future heralded by the “zombie” genre — it will simply be natural selection acting on a species unwilling, to the bitter end, to relinquish its self-deception (one part of a finite system cannot continue to grow indefinitely — that’s very simple logic indeed). I’m afraid neither Marx nor Wolfe’s sort of contemporary Marxist ever got around to understanding “productivity” in terms of what REALLY keeps us all alive — NPP, the net primary productivity of green plants, not the sham “productivity” of human beings making plastic crap in sweatshops nor the complete fantasy of “production” in imagining we are creating something real by the calculation of compound interest.

Instead of continuing to converse in the worn-out terminology from another era, or to stay largely within disciplinary boundaries even with narrow, if more updated, concepts, I think we’re inhabiting a space now where all disciplines need to take an active role in addressing our common human situation, as Ted Toadvine may be advocating. But in that space we now all have access to certain significant findings of contemporary biological science, should we take the trouble to investigate, not the least of which are the astounding commonality (underlying a very broad spectrum of more superficial differences) of Earthly lifeforms, the complexity of organization of every living being, and the myriad interrelationships among them, some of which are importantly linked to considerations of finitude. There is a reality of “what it means to be alive,” in thermodynamic, organizational, and experiential dimensions, that needs to be recognized by everyone who would propose to philosophize about such matters, and a new vitalism — one that does not shy away from acknowledgment of the fact that the living IS different from the nonliving–may be very much in order. There are also interesting possibilities to explore with respect to the relationship between our collective level of awareness and our human social ontology: when we begin to ask questions like “what IS money?” or debt or any of the other socially agreed-upon symbols that we presently invest with power over ourselves but need not, for example, some things may change rapidly. Bumping up our self-reflexive awareness a level or two may well spell the end of globalized exploitative capitalism, which seems to be virtually synonymous with our highly centralized and now faltering industrialism (and let’s not forget patriarchal militarism). That’s why we need local agricultural communities of various sorts to spring up everywhere, by the way — so that there will be an alternative way of feeding people when the great “machine” grinds down — a pattern of social organization based on mistaken metaphysical assumptions that our species must finally leave far behind.

Émile Bayard, from Autour de la lune (All around the moon), by Jules Verne, Paris (Hetzel), circa 1870

Despite Hawkins’ insinuation that I “intentionally crafted [my essay] to be a cartoonish caricature of a position that has been undergoing an active process of rejection over many years now,” I was in fact and remain quite serious about the positions I laid out in that paper. The tendentiousness of her brief list of objections, including a complete misreading about what is meant by “production” in a specifically Marxist sense and her scientifically-misunderstood invocation of the second law of thermodynamics, should be obvious to anyone who knows the first thing about either Marxism as a social science or physics as a natural science. And yet many of the same arguments Hawkins makes in these lines are trotted out yet again by authors like Chris Bertram of Crooked Timber of Humanity or Max Ajl in his rejoinders to Gourevitch on Jacobin‘s online section, “Climate Change and the Politics of Responsibility” or “Really-Existing Environmentalism.” Ajl closes the second of these papers with the following lines:

Heavy industrialization has no answer to these questions of how to regulate the human interaction with the surrounding environment. But one thing is for sure, at its core, Gourevitch’s argument reduces to a call for total human control over nature and a destructive demand for the demobilization of all radical environmentalist social forces.

Both requests are criminally stupid. They have no place on the Left.

Criminally stupid, eh? No place on the Left, eh? I defer to the statements of both Friedrich Engels and Leon Trotskii included in the close to my essay on “Man and Nature.” The reader can decide for himself whether or not Engels or Trotskii were here behaving “criminally stupid” or if their opinions “have no place on the Left”:

In the final analysis, far from being a single, unitary ideology, the ideology of Green is rather just a hodgepodge of past ideological remnants — neo-Romanticism, vitalism, primitivism, Luddism, Eastern mysticism, and quasi-fascist Germanic naturalism. Though there is a small kernel of truth to its project insofar as it deals with sustainability (i.e., the ability to carry on the exploitation of natural resources without the threat of environmental catastrophe), more often than not there is an underlying notion amongst eco-activists that humanity should have some sort of “respect” for nature as an inviolable thing-in-itself. The Green movement therefore views nearly every industrial-technical instrumentalization of nature, plant and animal alike, as invasive and chauvinist. Insofar as it preaches “eating local” and “going organic,” and then promotes the long-outdated ideal of self-sufficiency, it’s tacitly advocating a return a semi-feudal mode of production, which would necessarily involve massive famine and urban depopulation.

Humanity does, indeed, stand alienated from nature. And yes, there is good scientific evidence that supports the theory of global warming, though the scientists are characteristically more cautious in their predictions. Those on the Right who insistently deny the fact of climate change are just as delusional as the hysterical dispensationalists on the Left who declare the world is doomed. But the present-day Green movement provides no real answers for reconciling man with nature, when posed as a social problem, outside of, perhaps, its notion of sustainable growth. So what might a Marxist approach to the societal problem of man’s relation to nature look like?

To begin with, it must acknowledge that the answer can only lie in radical social transformation. Since humanity’s alienation from nature began with the foundation of the first societies — i.e., the beginning of history as such — and since the precise form in which this alienation has manifested itself has varied throughout history, we are left two options. Either we renounce society in its entirety, with all its freedoms and higher sensibilities, and retreat into the dark recesses of prehistory (as the anarcho-primitivists suggest), or we must progress into a new, as-yet-unseen social formation. With the former option, nature would no longer present itself as a problem to humanity because there wouldn’t be a consciousness of anything different, and we would act on our every savage instinct. Following the latter course of action, human society must gain a more self-conscious mastery over nature, such that it would become merely an extension of our will. What we are faced with is thus clear: either we must accept the renaturalization of humanity, or, inversely, the humanization (or socialization) of nature. Only by pursuing one or the other of these options can the contradiction be overcome — only then might humanity be disalienated from the natural world.

For the Marxist, the choice is simple. Though regressions do occasionally take place throughout history, one cannot turn back the hands of time wholesale. Thus is the dream of the anarcho-primitivists only a nightmarish fantasy, never to be realized. One can only progress by moving forward. The only answer the Marxist can accept is worldwide revolution — the fundamental transformation of existing social relations. This revolution must honor neither regional convention nor national boundary, it must extend to encompass the globe. And only by eliminating society’s foundation on that insatiable category called Capital, only then can society exist for itself, only then can men truly make his own history, rather than be made by history. In the words of Marx, “[m]en make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living.” Engels expanded on this in later work, Socialism, Utopian and Scientific:

With the seizing of the means of production by society, production of commodities is done away with, and, simultaneously, the mastery of the product over the producer. Anarchy in social production is replaced by systematic, definite organization. The struggle for individual existence disappears. Then, for the first time, man, in a certain sense, is finally marked off from the rest of the animal kingdom, and emerges from mere animal conditions of existence into really human ones. The whole sphere of the conditions of life which environ man, and which have hitherto ruled man, now comes under the dominion and control of man, who for the first time becomes the real, conscious lord of nature, because he has now become master of his own social organization. The laws of his own social action, hitherto standing face-to-face with man as laws of Nature foreign to, and dominating him, will then be used with full understanding, and so mastered by him. Man’s own social organization, hitherto confronting him as a necessity imposed by Nature and history, now becomes the result of his own free action.The extraneous objective forces that have, hitherto, governed history, pass under the control of man himself. Only from that time will man himself, more and more consciously, make his own history — only from that time will the social causes set in movement by him have, in the main and in a constantly growing measure, the results intended by him. It is the ascent of man from the kingdom of necessity to the kingdom of freedom. [my emphases]

How to achieve such a seizure of the means of production is a political question, one that has been dealt with historically by figures like Lenin and Trostkii. And although it would be utopian to speculate exactly what such a realized society would look like, a few possibilities seem plausible. First, such an emancipated society, freed from the rule of Capital and the forces of history, can now consciously direct its actions at a global level. No longer would there be the haphazard, chaotic hyperexploitation of nature that one sees under capitalism, which so often gives rise to crises and acute shortages. Secondly, humanity, liberated from its servitude to merely use technology as a tool to generate relative surplus-value, can now self-consciously harness the vast technological forces bestowed upon it by capitalist society. No longer beholden to these machines, gadgets, and other devices, but their master, human society can use these technological instruments to radically reshape nature for the benefit of both society and nature.Indeed, this would involve both the transformation of man and nature. Or, as Trotskii put it in the conclusion of his book, Literature and Revolution, in a quote that might as well serve as an appendix to our whole discussion:

The Socialist man will rule all nature by the machine, with its grouse and its sturgeons. He will point out places for mountains and for passes. He will change the course of the rivers, and he will lay down rules for the oceans. The idealist simpletons may say that this will be a bore, but that is why they are simpletons. Of course this does not mean that the entire globe will be marked off into boxes, that the forests will be turned into parks and gardens. Most likely, thickets and forests and grouse and tigers will remain, but only where man commands them to remain. And man will do it so well that the tiger won’t even notice the machine, or feel the change, but will live as he lived in primeval times. The machine is not in opposition to the earth.[…]

[And thus, t]he wall will fall not only between art and industry, but simultaneously between art and nature also. This is not meant in the sense of Jean-Jacques Rousseau, that art will come nearer to a state of nature, but that nature will become more “artificial.” The present distribution of mountains and rivers, of fields, of meadows, of steppes, of forests, and of seashores, cannot be considered final. Man has already made changes in the map of nature that are not few nor insignificant. But they are mere pupils’ practice in comparison with what is coming. Faith merely promises to move mountains; but technology, which takes nothing “on faith,” is actually able to cut down mountains and move them. Up to now this was done for industrial purposes (mines) or for railways (tunnels); in the future this will be done on an immeasurably larger scale, according to a general industrial and artistic plan. Man will occupy himself with re-registering mountains and rivers, and will earnestly and repeatedly make improvements in nature. In the end, he will have rebuilt the earth, if not in his own image, at least according to his own taste.

The Marxist vision of an emancipated society is one of abundance and plenitude, not of scarcity and shortage. It is a vision of unlimited human freedom, not within the constraints of an ascetic lifestyle. And these are precisely the terms that the Green movement have set up as unchallengeable, terms of shortage and “ecoscarcity.” And “[t]he danger here is of accepting, often without knowing it, concepts that preclude radical critique,” writes the Marxist theorist and radical geographer David Harvey. “Consider, for example, the way in which ‘ecoscarcity’ (and its cognate term of ‘overpopulation’) plays out in contemporary debate.” With such terms as “ecoscarcity” and the supposed dearth of natural resources, contemporary eco-activism shortchanges the possibilities of human freedom. Harvey continues, writing that the assumption of “ecoscarcity” by contemporary environmentalists implies “that we have not the will, wit or capacity to change our social goals, cultural modes, our technological mixes, or our form of economy and that we are powerless to modify ‘nature’ according to human requirements.” The history of capitalism supports none of these claims. There may be limitations in terms of what we might accomplish in transforming nature at the present moment, but that is no reason set arbitrary limits on what might be accomplished in the future. “Hitherto philosophers have only described the world; the point, however, is to change it,” reads Marx’s famous eleventh thesis on Feuerbach. We might close by saying that not only can the social world be changed, but our physical world as well.

Henri de Montaut, from De la terre à la lune (From the earth to the moon), by Jules Verne, Paris (Hetzel), 18??

Henri de Montaut, from De la terre à la lune (From the earth to the moon), by Jules Verne, Paris (Hetzel), 18??

In this vein, reading Marx on Feuerbach, I recall a passage from The German Ideology that Gourevitch himself cited toward the end of the discussion of environmentalism and Occupy at the Left Forum. With Ajl’s objections to Gourevitch I cannot help but be reminded of Marx’s brilliant critical insight into Feuerbach’s neo-Romantic ruminations on the supposed peace and tranquility one experiences in community with “nature.” Feuerbach, disgusted with the filth and soot of the industrial cities, fled to the countryside, where he contemplated the “natural simplicity” and appreciation human beings feel when surrounded by a natural setting. The specific object of his most sublime contemplations was a cherry blossom (prunus serrulata, I believe), which he commended for its beauty, untouched by the hand of mankind.

Marx pointed out, of course, that this particular species of cherry had actually been imported centuries ago from Japan, through trans-oceanic commerce. And so it was not that Feuerbach was appreciating some pristine bit of nature, apart from human influence; rather, it was only by virtue of human influence acting in history that he was able to sit there and appreciate it at all:

In reality and for the practical materialist, i.e. the communist, it is a question of revolutionizing the existing world, of practically attacking and changing existing things. When occasionally we find such views with Feuerbach, they are never more than isolated surmises and have much too little influence on his general outlook to be considered here as anything else than embryos capable of development. Feuerbach’s conception of the sensuous world is confined on the one hand to mere contemplation of it, and on the other to mere feeling…He does not see how the sensuous world around him is, not a thing given direct from all eternity, remaining ever the same, but the product of industry and of the state of society; and, indeed, in the sense that it is an historical product, the result of the activity of a whole succession of generations, each standing on the shoulders of the preceding one, developing its industry and its intercourse, modifying its social system according to the changed needs. Even the objects of the simplest “sensuous certainty” are only given him through social development, industry and commercial intercourse. The cherry-tree, like almost all fruit-trees, was, as is well known, only a few centuries ago transplanted by commerce into our zone, and therefore only by this action of a definite society in a definite age it has become “sensuous certainty” for Feuerbach.

Incidentally, when we conceive things thus, as they really are and happened, every profound philosophical problem is resolved…quite simply into an empirical fact. For instance, the important question of the relation of man to nature (Bruno [Bauer] goes so far as to speak of “the antitheses in nature and history,” as though these were two separate “things” and man did not always have before him an historical nature and a natural history), crumbles of itself when we understand that the celebrated “unity of man with nature” has always existed in industry and has existed in varying forms in every epoch according to the lesser or greater development of industry, just like the “struggle” of man with nature, right up to the development of his productive powers on a corresponding basis. Industry and commerce, production and the exchange of the necessities of life, themselves determine distribution, the structure of the different social classes and are, in turn, determined by it as to the mode in which they are carried on; and so it happens that in Manchester, for instance, Feuerbach sees only factories and machines, where a hundred years ago only spinning-wheels and weaving-rooms were to be seen, or in the Campagna of Rome he finds only pasture lands and swamps, where in the time of Augustus he would have found nothing but the vineyards and villas of Roman capitalists.

Feuerbach speaks in particular of the perception of natural science; he mentions secrets which are disclosed only to the eye of the physicist and chemist; but where would natural science be without industry and commerce? Even this pure natural science is provided with an aim, as with its material, only through trade and industry, through the sensuous activity of men. So much is this activity, this unceasing sensuous labour and creation, this production, the basis of the whole sensuous world as it now exists, that, were it interrupted only for a year, Feuerbach would not only find an enormous change in the natural world, but would very soon find that the whole world of men and his own perceptive faculty, nay his own existence, were missing. Of course, in all this the priority of external nature remains unassailed, and all this has no application to the original men produced by generatio aequivoca [spontaneous generation]; but this differentiation has meaning only insofar as man is considered to be distinct from nature. For that matter, nature, the nature that preceded human history, is not by any means the nature in which Feuerbach lives, it is nature which today no longer exists anywhere (except perhaps on a few Australian coral-islands of recent origin [!!]) and which, therefore, does not exist for Feuerbach.

There is truth, in part, to the nature/culture dichotomy, but it is precisely an historical truth, and nothing more. Positing a strict divide between humanity in nature is impossible. In light of such examples from Marx, Engels, and Trotskii, I cannot but conclude that it is in fact Max Ajl who is criminally stupid, and who has no place on the Left.