write-ups

Malcolm Harris, “pseudo-celebrity,” and kulaks

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“Écrasez l’infâme!”
[“Crush the infamous!”]
— Voltaire

So it looks like I am coming really late to this latest piece of juicy gossip concerning Malcolm Harris and Rachel Rosenfelt of The New Inquiry, appearing largely on Doug Henwood‘s wall. I have no idea whether there is any truth to these claims, or whether this is a fabrication (with Harris, you never know, it might just be a publicity stunt). Mark Ames of the eXile wrote up a scathing, albeit rambling, indictment of Harris on the Not Safe for Work Corporation — preserved in its entirety here.

Certainly I don’t want to perpetuate a baseless rumor. I’m all too familiar with the kind of deliberate distortions, smears, and empty insinuations that go on amongst knitting circles on the Left.

Still, the original write-up Rachel did promoting the talents of her young writer friend (I always thought he was her boyfriend?) is pretty shocking to read through, in terms of the ridiculous hyperbole with which she inflates his meager abilities and accomplishments:

From: Rachel Rosenfelt Date: October 25, 2011 1:04:42 PM PDT
To: …@gmail.com
Subject: Malcolm Harris

Kathleen,

It was great chatting with you yesterday! Here’s the write up on Malcolm Harris:

Malcolm Harris is one of the most talked about young writers today. He has been on the vanguard of the #occupywallstreet movement well before day one of the Zuccotti part encampment began. His social media savvy and tactics flips the equation when it comes to the so-called influence of media on the youth. With Malcolm Harris at the helm, we are witnessing a new media movement where it’s the youth that’s influencing — and manipulating — the mainstream media to enact what has become a global uprising of youth demanding the change that was promised to them in 2008.

As an editor at Sharable.net, Harris brought politically savvy coverage of the protest movements in Spain and Greece to the attention of the young digerati who would eventually work alongside Harris in New York City to facilitate the first planning meeting for #occupywallstreet. In the intervening months, Harris has earned the reputation he has today as the Naomi Klein of the 21st century, with his instant-classic article, “Bad Education,” which went viral in April of 2011 and remains the most cited article on the student debt crisis today (listen to Harris debate the issue on NPR here).

Once the occupation was underway, Harris’ article in the Jacobin Magazine, “Occupied Wall Street: Some Tactical Thoughts” spelled out a strategy that has since helped to give the movement the force and coherence it needed to self-sustain, even without the benefit of mainstream media attention. The turning point, however, was when Harris and a group of his collaborators posed as Radiohead’s manager, notified the media the band would play Zuccotti park, and caused tens of thousands of youths — as well as news cameras and big media attention — to turn out. Read Harris’ reflections on the tactic here.

Harris’ forthcoming book, (title TBD) is about the student debt crisis, global uprising, new media and #occupywallstreet (title TBD) and he acted as editor of the book, Share or Die: Youth in Recession.

He speaks for $5,000, not including travel and accommodations. Let me know if you have any futher questions. :)

Regards,
Rachel Rosenfelt

The Lavin Agency
Making the World a Smarter Place
rrosenfelt@thelavinagency.com
www.thelavinagency.com
————————————————————————
Follow me on Twitter:
http://www.twitter.com/TheLavinAgency
http://www.twitter.com/RachelRosenfelt

Now I have nothing against Rachel, who I barely know, but about this breathtaking bit of exaggeration (or delusion), Anthony Galluzzo hit the nail on the head: “That piece of fiction was the funniest thing I’ve read in years. She [Rachel] should drop the saloniste act and go into PR. Harris single-handedly fulfillled the dashed expectations of 2008: anarcho-Obama.”

Bhaskar summarized the incident in a blog post that appeared over at In These Times, while also providing something in the way of a critique of the “pseudo-celebrity” status some activists and commentators have attained through their involvement in recent political movements. The activist/analytic pseudo-celebrity, a term introduced in this context by Doug Henwood and then taken up by Bhaskar, finds its apotheosis in a figure like Malcolm. I have nothing really to add to their comments besides what Bhaskar already wrote about the significance of Harris’ insignificant but highly-publicized political persona to radical movements today. While I agree that this is whole affair is hardly a legitimate argument against Malcolm Harris’ politics or thought (does he have either?), I must admit that I’ve found this all is pretty funny.

Rather than try to ascertain the political content of this overblown hullabaloo, which I am convinced is zilch, all I have to add is a personal anecdote recounting one encounter (it feels more like a “run-in”) I had with “the Naomi Klein of the 21st century.” This may be a little gossipy, but oh what the hell: Continue reading →

Ongoing Trotsky lecture series and reading group discussion at the New School in New York

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Symptomatic residues

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Image: Trotsky in Mexico
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Summer 2012: Trotsky and Trotskyism

Cubo-Suprematist depiction of Trotsky as Red Army general, 1924

Saturdays 2-5pm

New School for Social Research Building, 6 E 16th St. (just west of Union Square)
Room: 10-01
Please be there promptly as we will begin at 2pm sharp in order to broadcast the lectures in a timely manner.

Or join us via Live Stream! We’ll be broadcasting live every Saturday at 2pm EST.

Early Sketch of Leon Trotsky

Recommended preliminary readings:

+ Tariq Ali and Phil Evans, Introducing Trotsky and Marxism / Trotsky for Beginners (1980)
+ Nicolas Krassó, “Trotsky’s Marxism” (1967)
• Platypus Historians Group, “The dead Left: Trotskyism” (2008)
• Richard Rubin, “The decline of the Left in the 20th century: 1933″ (2009)
• Ian Morrison, “Trotsky’s Marxism” (2011)
• Mike Macnair, Bryan Palmer, Richard Rubin, and Jason Wright, “The legacy of Trotskyism” (2011)
• Grover Furr, “Learning from the Communist Movement of the 20th century: A response to Richard Rubin”(2012)
+ Spartacist League, Lenin and the Vanguard Party (1978)
+ Richard Appignanesi and Oscar Zarate / A&Z, Introducing Lenin and the Russian Revolution / Lenin for Beginners (1978)
+ Isaac Deutscher, The Prophet: Trotsky biography (three volumes: 1954, 1959, 1963)

Week 1. Jun. 16, 2012

1879–1905
Lecture: (VIDEO) (AUDIO)

• Tariq Ali and Phil Evans, Introducing Trotsky and Marxism / Trotsky for Beginners (1980)
• Leon Trotsky, Results and Prospects (1906)

Week 2. Jun. 23, 2012

1905–17
Lecture: (VIDEO) (AUDIO)
Apologies for the technical glitches in the video recording – participants are strongly encouraged to listen to the audio file for a clean recording.

+ Trotsky, 1905 (1907)

Week 3. Jun. 30, 2012

1917–23
Lecture: (VIDEO) (AUDIO)

• Trotsky, Terrorism and Communism (1920)
• Trotsky, The Lessons of October (1924) [PDF]
+ Trotsky, Literature and Revolution (1924)
+ Bret Schneider, “Trotsky’s theory of art” (2011)

Week 4. Jul. 7, 2012

1923–33
Lecture: (VIDEO) (AUDIO) 

+ Trotsky, Where is Britain Going? (1925)
+ Trotsky, Problems of the Chinese Revolution 1927–31 (1932)
+ Trotsky, writings on the rise of Hitler and the destruction of the German Left (1930–40), especially “To build communist parties and an international anew” (1933)

Week 5. Jul. 14, 2012

1933–40

• Trotsky, “Stalinism and Bolshevism” (1937)
• Trotsky, The Death Agony of Capitalism and the Tasks of the Fourth International (1938)
+ Trotsky, “Trade unions in the epoch of imperialist decay” (1940)
+ Trotsky, The Revolution Betrayed (1936)
+ Trotsky, In Defense of Marxism (1939/40), especially “Letter to James Cannon” (September 12, 1939)
+ Trotsky, “Art and politics on our epoch” (1938)
+ Mary McCarthy, “My Confession” (1954)

Week 6. Jul. 21, 2012

1940–53

+ James Cannon, “The coming American revolution” (1946)
+ C.L.R. James, Raya Dunayevskaya, et al., “Program of the minority tendency of the Workers Party/U.S.” (1946)
+ C.L.R. James, “Dialectical materialism and the fate of humanity” (1947)
+ Herbert Marcuse, “33 Theses” (1947)
+ Earl Browder and Max Shachtman with C. Wright Mills, “Is Russia a socialist community?” (1950)
+ Ernest Mandel, “The theory of ‘state capitalism’” (1951)
+ Michel Pablo, “On the duration and the nature of the period of transition from capitalism to socialism” (1951)
+ Pablo, “Where are we going?” (1953)

Week 7. Jul. 28, 2012

1953–63

+ Cornelius Castoriadis, “The workers and organization” (1959)
• Cliff Slaughter, “What is revolutionary leadership?” (1960)
• Revolutionary Tendency of the Socialist Workers Party/U.S., “In defense of a revolutionary perspective”(1962)
+ Tony Cliff, “The coming Russian revolution” (final chapter of Russia: A Marxist Analysis, 1964)
+ Hal Draper, “The two souls of socialism” (1966)
+ Isaac Deutscher, “Marxism in our time” (1965)
+ Murray Bookchin, “Listen, Marxist!” (1969)
• Spartacist League, “Genesis of Pabloism” (1972)

Le Corbusier painting in the nude at Eileen Gray’s Villa E-1027

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Plus, the story behind
his nasty leg scar

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Image: Le Corbusier painting a fresco in the nude
at Eileen Gray’s Villa E-1027 (Summer 1939)
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Shirtless Corbu relaxing at Villa E-1027

Shirtless Corbu relaxing at Villa E-1027

I didn’t know about this until just now.Le Corbusier apparently got the scar while swimming in Saint-Tropez bay in 1938. He’d been staying at the architect Eileen Gray’s Villa E-1027. He got trapped under a yacht’s propeller-blades as it passed over him. As he lated recounted the incident in a letter to his mother, in his characteristically clinical tone:

The motor going at 200 horsepower — a good clip.

Le Corbusier in Saint-Tropez bay (1938)

Le Corbusier in Saint-Tropez bay (1938)

Needless to say, his right leg got terribly mangled. Apparently he remained remarkably calm, however, even while losing a ton of blood. From that same letter:

After the first turn of the blades, I was thrown out of the circuit and seemed not to have been hurt. I reached the surface, and breathed air. I hadn’t swallowed a drop of water. I saw the boat gliding slowly away. I shouted: “Hey, wait a second, you went right over me, there may be some damage!” Quite automatically my hand went to my right thigh, my arm fitting nicely inside. I looked down: a big area of blood-red water, and half my thigh floating like a ray (the fish!), attached by a narrow strip of flesh: “Throw me a buoy, I’m badly hurt.”

The yacht headed toward me, throwing me a sort of rope knot too big to be held in one hand. The side of the yacht was too high for anyone to help me. “Throw a lifesaver.” It comes, and I sit inside it. And here are some fishermen coming into port; their boat is low, they hold out their hands, and I give them my left hand, because I’m holding my thigh together with my right; we reach the place I started from, on the breakwater; I get up on the jetty; a kind driver appears out of nowhere and helps me sit down beside him. The fisherman gets in the backseat. Hospital. They put me on the table and begin sewing me together. This lasts from six to midnight, in two sessions.

Le Corbusier and his wife along with Romanian architectural critic Jean Badovici at Villa E-1027, photographed by the Irish modernist Eileen Gray

Le Corbusier & wife w/ Romanian architecture critic Jean Badovici at Villa E-1027, photographed by Irish modernist Eileen Gray

After recovering, Le Corbusier set about making some “alterations” to Gray’s design at Villa E-1027. Gray was none too happy about the liberties he took with her visual and conceptual schematization of the villa. You can read more about it here.

Pod-people: Soviet disurbanism and individual housing units

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There actually were socialist proposals for something like the Futuro. Though he initially worked on a number of plans for communal housing, Moisei Ginzburg, along with Mikhail Okhitovich, Aleksandr Zelenko, and Aleksandr Pasternak (Boris’ brother), came close to this in their plans for “disurbanism” in late 1929 and early 1930. They opposed the existence of the traditional, centralized city as they viewed it as bound up with the capitalist social formation. Ginzburg, Okhitovich, & co. were much more interested in the development of personality and the free individual under socialism, rather than in the creation of vast collectivist dwellings. This was a welcome corrective to Leonid Sabsovich and others for whom communism meant merely the abstract negation of capitalism, and who wanted to substitute collectivism for individualism, which they associated with capitalism.

Anyway, the Disurbanists proposed small but accommodating individual housing units, or “pods,” which would moreover be mobile and collapsible. These spaces would aid in the cultivation of the individual personality, and would moreover allow each person the freedom to associate with others as he would like. If someone got married, he could “link” his pod to another’s. If the couple would then have children, they could “plant” more pods for each child to live in. Moreover, the Disurbanists believed that this would help solve the problem of divorce, housing space, and property, since a divorced couple would no longer have to fight over the space they shared or other proprietary issues. The two divorcees could simply uncouple their pod-houses from each other and go their separate ways.

Communal dwelling for comrades [товарищеская коммуна] № 17, Modern Architecture (1930)

Communal dwelling for comrades [товарищеская коммуна] № 17, Modern Architecture (1930)

The Disurbanists thus also hoped that this would help dissolve the traditional social unit of the family and more broadly “socialize” them. Like Sabsovich and the Urbanists, Ginzburg and his allies believed that the care of children in their upbringing should be primarily provided for by institutions established by society. But while familial bonds and affection would doubtless remain in many cases, one would not be forced by his involuntary association with his family to remain attached to it. Once a child would reach the age of maturity, it would be his right to dissociate himself from the rest of his natural family. Continue reading →

Ray Brassier on the speculative realist “movement”

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Including his reaction to my satiric
Manifesto of speculative realist/
object-oriented ontological blogging

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Image: Ray Brassier

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I first came across Dr. Brassier’s brutal excoriation of the Speculative Realist/Object-Oriented Ontological blogging “movement” after my own lighthearted sendup of the phenomenon was met with such disapproval by Tim Morton, Levi Bryant, and (seemingly) Nick Srnicek, although Srnicek was perhaps justifiably upset that I counterposed his e-mail to me to Bryant’s. In any case, I felt some sense of vindication upon seeing Ray Brassier’s own scathing commentary on SR movement in his interview with the Polish magazine Kronos:

The “speculative realist movement” exists only in the imaginations of a group of bloggers promoting an agenda for which I have no sympathy whatsoever: actor-network theory spiced with pan-psychist metaphysics and morsels of process philosophy. I don’t believe the internet is an appropriate medium for serious philosophical debate; nor do I believe it is acceptable to try to concoct a philosophical movement online by using blogs to exploit the misguided enthusiasm of impressionable graduate students. I agree with Deleuze’s remark that ultimately the most basic task of philosophy is to impede stupidity, so I see little philosophical merit in a ‘movement’ whose most signal achievement thus far is to have generated an online orgy of stupidity.

Now, Brassier’s unsparing invective against this trend within the theory blogosphere has already been widely circulated, and I must admit that I was something of a latecomer in discovering the sentiments he expressed. Most have probably been aware of these statements for much longer than me. Nevertheless, I’ve been slowly working through his recent book, Nihil Unbound: Enlightenment and Extinction, and must admit that I’ve enjoyed it so far more than anything I’ve read from Harman or Latour. I especially appreciate his engagement with Adorno and Horkheimer’s Dialectic of Enlightenment; his interpretation is really quite good. So there’s a level of respect I had for him that preceded my stumbling upon this little snippet.

Anyway, following my recent publication of the satyric Manifesto of Speculative Realist/Object-Oriented Ontological Blogging and subsequent discovery of Brassier’s somewhat similar (though no doubt deeper) position on the matter, I e-mailed him with a link to the satyric piece. With the largely mixed response to the post that I’d received from the rest of the theory blogosphere, I was curious as to what Brassier might make of it. He responded this morning, rather promptly. The correspondence ran as follows.

Cover to the volume The speculative turn

Cover to the volume The speculative turn

Continue reading →

The manifesto of Speculative Realist/Object-Oriented Ontological blogging

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.

…the infernal piping of those blasphemous flutes…

.
Prologue: Of manifestoes and manifestoism

To launch a manifesto you have to want: A.B. & C., and fulminate against 1, 2, & 3.

work yourself up and sharpen your wings to conquer and circulate lower and upper case As, Bs & Cs, sign, shout, swear, organise prose into a form that is absolutely and irrefutably obvious, prove its ne plus ultra and maintain that novelty resembles life in the same way as the latest apparition of a harlot proves the essence of God.

We alone are the face of our Time. Through us the horn of Time blows in the art of the world.

Throw Pushkin, Dostoevsky, Tolstoy, etc., etc. overboard from the Ship of Modernity.

  1. Up to now literature has exalted contemplative stillness, ecstasy, and sleep. We intend to exalt movement and aggression, feverish insomnia, the racer’s stride, the mortal leap, the slap and the punch.
  2. We declare that the splendor of the world has been enriched by a new beauty: the beauty of speed. A racing automobile with its bonnet adorned with great tubes like serpents with explosive breath…a roaring motor car which seems to run on machine-gun fire, is more beautiful than Тhe Victory of Samothrace.
  3. We are on the extreme promontory of the centuries! What is the use of looking behind at the moment when we must open the mysterious shutters of the impossible? Time and Space died yesterday. We are already living in the absolute, since we have already created eternal, omnipresent speed.
  4. We intend to glorify war — the only hygiene of the world — militarism, patriotism, the destructive gesture of anarchists, beautiful ideas worth dying for, and contempt for woman. Continue reading →
Lev Rudnev’s “City of the Future” (1925), before his turn to Stalinist neo-Classicism

Modernist architecture archive

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.Untitled
IMAGE: Lev Rudnev’s City of the future (1925),
before his turn to Stalinist neoclassicism
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An update on the Modernist Architecture Archive/Database I discussed a couple posts ago.  I’ve begun work on it, and have uploaded almost half of the documents I intend to include.  Only a few of the Russian ones are up yet, but I’m hoping to post them over the next couple days.  There are many more on the way.

Anyway, anyone interested in taking a look at this archive (arranged as a continuous text) can access it here.

However, this might not be the most convenient way to browse through it all.  For a more manageable overall view of each of the individual articles (detailing the author, title, and year of publication), click here.

Louis Proyect is again “provoked by the platypus”; again fails to say anything meaningful in response

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Louis Proyect (of the blog The Unrepentant Marxist) is upset over the publication of a translation of the Antideutsch article “Communism and Israel” in the Platypus Review.  This isn’t the first time Proyect has devoted a blog entry to discussing Platypus only to turn out to have nothing to say.  Back in April, he made a weak attempt to peg Platypus’ critical stance toward the existing Left as an American version of Eustonism.  A few months later, upon some reflection, he came to the profound conclusion that the Platypus group was nothing more than a bunch of eschatological leftists awaiting the final dispensation.  With characteristic banality, Proyect then ended his piece by dismissively conceding that “[i]f you think of the left in biological terms, the Platypus is something necessary for the healthy functioning of the body.”

Two days ago, he found himself again “provoked by the Platypus” — this time by the translated article mentioned above.  Proyect, though aware of the fact that the Platypus Review publishes views that do not necessarily match the views of its members, nevertheless assumed that Platypus tacitly agreed with the ISF position laid out in “Communism and Israel.”  According to him, Platypus simply lacked the “courage” to come out and say so.  Even then, instead of discussing the more substantive points raised by the article, Proyect chose to seize upon a rather ugly (and apparently Islamophobic) book cover published by the ISF’s press so that he could avoid taking on the organization’s position altogether.  He wrote off the ISF as a group of “fanatical anti-Muslim [sic] racists,” therefore unworthy of a critique.  I was unaware that the Muslims were now a “race,” but oh well.

Now there are certainly problems and limitations to the Antideutsch movement’s seemingly exclusive focus on anti-fascist politics and Marxist critiques of anti-Semitic undercurrents prevailing on the Left.  But to refuse to engage it at all, as if it had nothing to offer, is indicative of Proyect’s reluctance to face any challenge to the conventional wisdom of anti-Zionist, anti-imperialist leftism.  Proyect remains blind to the problematic tendency of leftists today to reduce all questions of Marxist anti-capitalist politics to the issue of opposition against U.S. imperialism and Israeli Zionism.

Though Proyect’s blog occasionally offers some insights and interesting perspective, it’s fairly clear to anyone who reads it that he’s unwilling to depart from the same shallow, predictable outlook that’s become so common on today’s Left.  But when he’s not just making vague appeals to common sense in order to justify his own dreary position, he claims the real reason he’d rather not seriously engage Platypus is that they’re “schmucks.”

Most normal people, like the subscribers to Doug Henwood’s mailing list, view Platypus and Chris Cutrone in particular as a bunch of schmucks.  Who wants to waste time debating schmucks?

For someone who talks a lot about Platypus’ supposed lack of “courage,” it seems that Proyect himself doesn’t have the chutzpah to try and actually respond to their criticisms.  Perhaps this is the better part of valor, though, since he would probably just wind up embarrassing himself anyway.

Репринт Журнала Современная Архитектура [Reprint of the Journal Modern Architecture] (1926-1930)

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I came across this advertisement yesterday while searching online for any articles on the early Soviet periodical Modern Architecture.  For those who don’t spend their time painstakingly researching long-dead avant-garde movements, this publication might not mean much.  However, it’s of great historical and theoretical importance — a project featuring a truly spectacular cast of characters.  The main organ for the OSA group of architectural Constructivists, Modern Architecture was edited first by the legendary theoreticians and architects Moisei Ginzburg and Aleksandr Vesnin, later coming under the editorship of Roman Khiger, after 1928.  Its layout was designed by Aleksei Gan, author of the seminal text on Constructivism in art, Конструктивизм (1922).  A number of young Soviet modernists contributed pieces to the journal: Mikhail Barshch, Ivan Leonidov, Nikolai Krasil’nikov, Kazimir Malevich, etc.  Articles by some of the most extraordinary foreign avant-garde architects and artists were also included: Le Corbusier, Walter Gropius, Ludwig Mies van Der Rohe, and Fernand Léger.

Needless to say, I was immediately overcome with excitement. You see, last winter I spent weeks at the New York Public Library, poring over their microfiche collection of the 1927-1930 editions of Modern Architecture (they didn’t have the volume for 1926).  I sat there using their clumsy old machines, struggling to center the pages exactly and bring them into focus by using the different microscopic lenses, only to make poor-quality printouts in the end.  So now that Tatlin press is re-releasing it in full, 80 years after Stalin’s government forced them to cease its publication, I can honestly say I’m stoked.  Here’s the description included in the ad:

ISBN 978-5-903433-12-4

редактор составитель — Эдуард Кубенский
вступительная статья — Жан-Луи Коэн
5 томов, 1076 стр., 24.0х34.0 см,
мягкая обложка, футляр, рус./фр./нем./англ.

Современная архитектура — иллюстрированный журнал «Государственного издательства», выходивший в Москве с 1926 по 1930 годы 6 раз в год. Журнал освещал вопросы современного градостроительства, жилой, промышленной и сельской архитектуры, типового проектирования, истории и теории архитектуры и строительства. Несмотря на короткий срок своего существования, журнал Современная архитектура — журнал-эпоха. В его реализации принимали участие ведущие мастера эпохи авангарда. Среди выдающихся имен, имевших отношение к журналу, можно назвать архитектора и бессменного редактора журнала Моисея Гинзбурга, автора проекта Дома Наркомфина; художников Алексея Гана и Варвару Степанову, занимавшихся версткой и дизайном издания и других. На его страницах публиковали свои работы Иван Леонидов и братья Веснины, Ле Корбюзье и Мисс Ван дер Роэ. Отдельной темой выступает в издание его графический строй, являющийся образцом передового дизайна своего времени. Сегодня эти журналы стали библиографической редкостью: растет цена информации, размещенной на их страницах. Об актуальности всего, что связано с эпохой русского авангарда в мире, не приходится говорить, это давно сформировавшаяся позиция. Анализ этого явления и его актуализация сегодня поможет еще раз осознать место России в мировом архитектурном пространстве.

Iakov Chernikhov’s Principles of Modern Architecture (1930)

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Browsing the Russian search engine Яндекс for information about Iakov Chernikhov, I came across an online copy of his 1930 book, Principles of Modern Architecture (Основы современной архитектуры). It’s free to browse in its entirety.

Enjoy!