write-ups

Some preliminary thoughts on Endnotes’ critique of Platypus

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On materialism and idealism

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Image: Johann Friedrich Blumenbach (1752-1840) 
grenzt sich mit dem Begriff „Bildungstrieb“ (1781)
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A few ruminations on Endnotes’ critique of Platypus, as laid out in the closing plenary to the 2013 Platypus International Convention. These are just my thoughts, and as such are not necessarily indicative of anyone else’s opinion.

The contraposition some have latched onto lately  ⎯ whereby the focus on politics/history of the Left = “idealist” while the focus on economics/history of the capital’s transformations = “materialist” ⎯ is more than a little crude. Of course, this is not at all to suggest that those members of Endnotes who first advanced the critique fall victim to such an unnuanced view. Considerably more intractable problems arise, however,  for those who’ve tried to assimilate this critique to their own polemics against various “idealist” groupings they’ve recently vowed to destroy. Since their own aspiration is simply to erect a new international propaganda tribune (webzine) from which to spread socialism to the ignorant masses, they are forced to confront the embarrassing logical consequence of programmatic politics’ impossibility that the argument implies.

Doubtless, the argument is to be taken seriously. Its validity or invalidity cannot just be assumed. It would be overhasty to dismiss the thesis advanced by Théorie Communiste and others regarding programmatism out of hand. Part of the interest in critically engaging with the various currents of communization theory is that I feel there is quite a bit of common ground in our diagnosis of the present state of politics, especially as regards the (non-)viability of working-class militancy or mass forms of organization today. This remains so even if the emphasis we lay on the accumulation of past political defeats versus Théorie Communiste’s (and others’) emphasis on subsequent (post-1917, post-1968) transformations within capitalism’s mode of subsumption, real vs. formal, is somewhat different. Continue reading →

On the preservation of Konstantin Melnikov’s works and heritage

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An open appeal from architects
and architectural historians

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Image: “SOS” projected onto Konstantin
Mel’nikov’s cylindrical house (1928)
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I recently received an e-mail from Ginés Garrido of Harvard’s Graduate School of Design and S. Frederick Starr of the Johns Hopkins University requesting that I help spread the word about an initiative they’ve developed to assist in the preservation of Soviet avant-garde architect Konstantin Mel’nikov‘s works and heritage. My decision to do so was not as immediate or as obvious as it might at first seem, however.

Let me explain: As a student of history and a great admirer of Mel’nikov’s architectural corpus (built and unbuilt), I am of course in favor of maintaining and restoring the many iconic examples of his work that remain. But knowing that pitiless, unsentimental attention to the demands of technical turnover and the imperative to overturn obsolescence formed part and parcel of the worldview animating Soviet modernism, it is impossible to deny the irony of the fact that preserving buildings that no longer serve any meaningful function except as a physical reminder of the project that was once underway in Russia. Nothing would seem so preposterous to an avant-garde architect of the time than to cling to the past out of melancholy or nostalgia, let alone museumify it. Continue reading →

The practicalities of Oud

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The Spangen municipal housing
project in Rotterdam, 1920-1923 

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Image: Construction site for Oud’s
Spangen municipal housing (1920)
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J.J.P. Oud, the pioneering Dutch modernist briefly associated with the journal and artistic movement De Stijl, is seldom mentioned alongside the other “great masters” of classical avant-garde architecture: Frank Lloyd Wright, Walter Gropius, Le Corbusier, and Ludwig Mies van der Rohe. Yet many of the themes that other modernist architects would only come to later — standardized mass housing, the industrialization of the building process, and the use of modern materials to create modern forms (apotheosized in the flat rooftop, hitherto unachievable) — Oud grasped already during the years of the First World War. The renowned Soviet architect Moisei Ginzburg later speculated  that this had something to do with Holland’s neutrality throughout the conflict, writing in his 1926 article “The international front of modern architecture” that

Holland, not having participated in the world war, found it possible during this time to carry out far more of their projects than other countries. In recent years, there have been erected not only many separate buildings, but also a whole range of new settlements. While the European architect dug trenches, the Dutchman [J.J.P.] Oud built 3,000 inexpensive apartments in Rotterdam.

The following are hi-resolution scans of plans, sketches, and photographs from Oud’s Spangen municipal housing project, begun in 1920 and completed in 1923, succeeded by the Jaffé translation of Oud’s 1918 essay “The monumental townscape,” originally published in De Stijl. Continue reading →

A conversation on the Left

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A moderated panel discussion 

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Image: Image by Augustine Kofie,
with text added by Ross Wolfe
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WHO

James Turley (CPGB)
Bhaskar Sunkara (Jacobin)
Ben Blumberg (Platypus)
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WHAT

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Recently, a series of exchanges between the Communist Party of Great Britain (PCC), the International Bolshevik Tendency, and the Platypus Affiliated Society has unfolded, mapping a field of positions and historical perspectives whose contours trace some of the most provocative contemporary perspectives on Marxism, socialism, and democracy.

With this public forum, speakers will take stock of the points of convergence and divergence that have emerged in order to push the conversation further on key issues such as Left unity, neo-Kautskyism, factionalism, Trotskyism, sectarianism, Leninism and Bolshevism, democratic organization, and political program.

WHEN

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April 18, 2013
7:00-9:00pm

WHERE

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NYU Kimmel Center, Room 904
60 Washington Square South
New York, New York 10012

WHY

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For the self-criticism, self-education, and, ultimately,
the practical reconstitution of a Marxian Left.

Fragments

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by Reid Kane Kotlas 

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Image: Georges Braques,
Bottles and Fish (1909)
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Originally posted on Reid Kane’s tumblog.

To have a system and to have none

Contrary to Hegel, who sought to consummate in theory the system that emerged as humanity rendered itself the necessary product of history, Marx is thought to have definitively indicted this system, or at least what it became. Marx’s critique is understood as a ‘systemic’ critique, a critique not of the actions of individuals or groups but of the whole social structure within which individuals and groups are bound to adopt the social roles that give them actuality. Marx offered no alternative system however, and that alternative which was eventually offered in his name ended in calamity.

Yet Marx did not offer such a critique. Rather, he recognized that the system had already become self-critical, and that this criticism was now advancing in the form of the struggles of the proletariat. It was with this struggle that Marx identified his criticism, a criticism which is nothing if not a critical participation in the political struggle, and thus a struggle to transform the ‘system’ on its own basis. “By raising the representative system from its political form to the universal form and by bringing out the true significance underlying this system, the critic at the same time compels this party to go beyond its own confines, for its victory is at the same time its defeat.” Continue reading →

Augustine Kofie's "Triangulation of the golden northeast" (2009)

Dossier on the debate between the International Bolshevik Tendency, Communist Party of Great Britain, and Platypus Affiliated Society

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by Reid Kane Kotlas

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Image: Augustine Kofie’s Triangulation
of the Golden Northeast (2009)
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This is reposted from the tumblr page of a contact of the Platypus Affiliated Society, Reid Kane Kotlas. Though I was considering using this space to briefly relate Reid’s intellectual trajectory and how he arrived at the Marxist tradition, as well as our encounter several years back, it’s become clear to me that this would take up too much space. Perhaps this could be the subject of another post. Suffice it to say, at least for now, that our subsequent correspondence was largely the outcome of a debate we had over Lenin’s (in)compatibility with Luxemburg. At the time, he was quite skeptical of the Platypus Affiliated Society and what he then believed was its excessive pessimism with respect to the present. I’d assumed what was probably a haughty and overly dismissive stance toward the actually-existing Left, to which he responded:

I find your defamatory comments about the existing Left (and those of Platypus more generally) to be extremely discouraging. These people are our allies, and while I may disagree with a lot of what they say and do, the way to make that evident is not through condescension, but by expressing critical solidarity, by joining them and trying to steer them in other directions where appropriate, and where there is too great a divide or too much stubbornness, to demonstrate in practice what is wrong with their approach. I agree that its a shame that we are no longer witness to the sort of working class mobilization of the earlier part of the last century, but I don’t count this fact as either a cause or effect of “regression in Leftist consciousness.” The left hasn’t regressed, we’ve been brutally beaten down, silenced, defamed and overwhelmed for a century, and the disorganized and splintered remnants that persist today, however “backward” their thinking may be at times, are not symptoms of the Left’s decadence and degeneration but the first flares of its rekindling.

Later on, I tried to clarify what I’d meant by my remarks and remove some of their needless cynicism, which were unhelpful and probably off-putting. This brought Reid and I into closer accord in our understandings of the present political moment. In an e-mail a little over a year ago, he related to me that “[w]hile before I had reservations about Platypus due to its assessment of the Left, I now basically agree with that assessment.” Recently, it came to my attention that Reid has been quietly and independently dedicating himself to a closer study of some of Platypus’ past engagements. Because of the remarkable lucidity and critical acuity of his observations here, I thought I’d make available his dossier on the debate between the International Bolshevik Tendency, Communist Party of Great Britain, and Platypus. The post also includes a number of helpful links to background readings on the debate. Thanks again to Reid for granting me permission to repost this.
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Ivan Kudriashev's Construction of a rectilinear motion (1925)

Kudriashev’s Construction of a rectilinear motion (1925)

Dossier

The following is a series of documents and recordings relating to an ongoing debate between members of the Platypus Affiliated Society (PAS), the Communist Party of Great Britain (CPGB), and the International Bolshevik Tendency (IBT). 

I believe these deserve to be grouped together because, in the discursive space sustained between these three distinctive organizations, the central problems of the contemporary left are saliently circumscribed. Any pair of the three organizations, as well as the trio, share interesting points of convergence and divergence. The differences between their respective ideologies, programs, historical perspectives, and practical approaches elucidate that absent locus of revolutionary politics. Continue reading →

Utopia and Program 2013-2

Conspectus of the 2013 Platypus International Convention

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Chicago, IL
April 5-7, 2013

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Image: Closing plenary of the 2013 Platypus International
Convention, “Utopia and Program” (going on now)
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Closing plenary speakers:

Endnotes collective
Stephen Eric Bronner (Rutgers University)
Sam Gindin (Socialist Project)
Roger Rashi (Québec solidaire)
Richard Rubin (Platypus)

The following is an overview for the 2013 Platypus International Convention in Chicago, descriptions of the panels, workshops, and plenaries in PDF form:

Utopia and program

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2013 Platypus
International Convention 

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Image: Designed by
Douglas La Rocca
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Closing plenary:

Sat. 6 April 2013 @ 6:00-8:00pm
School of the Art Institute of Chicago
36 S Wabash Ave  Chicago, IL 60603

Panelists:

Endnotes collective
Stephen Eric Bronner (Rutgers University)
Sam Gindin (Socialist Project)
Roger Rashi (Québec solidaire)
Richard Rubin (Platypus)

Étienne-Louis Boullée, Temple of Death, Interior (1795)

Étienne-Louis Boullée, Temple of Death, Interior (1795)

Description:

“Program” and “utopia” have for well over a century now sat in uneasy tension within the politics of the Left, in tension both with each other and with themselves. Political programs tend to be presented in the sober light of practicality — straightforward, realistic, matter-of-fact. Social utopias, by contrast, appear quite oppositely the virtue of aspiring ambition — involved, unrealistic, exhilarating. Historically, then, the two would seem antithetical. In either case, one usually offers itself up as a corrective to the other: programmatism as a harsh “reality check” to pipe-dream idealism; utopianism as a welcome alternative to dreary, cynical Realpolitik.

Today, however, it is unavoidable that both program and utopia are in profound crisis. For those Leftists who still hold out some hope for the possibility of extra-electoral politics, an impasse has arisen. Despite the effusive political outbursts of 2011-12 in the Arab Spring and #Occupy — with their emphasis on the identity of means and ends, anti-hierarchical modes of organization, and utopian prefiguration — the Left seems to have run aground. Traces may remain in the form of various issue-based affinity groups, but the more ambitious projects of achieving sweeping social transformation have been quietly put to rest, consoled with the mere memory of their possibility.

Meanwhile, longstanding Left organizations, having temporarily reverted to their usual waiting game of patiently tailing popular discontents with the status quo, until the masses finally come around and decide to “get with the program” (their program), have experienced a crisis of their own: slowly disintegrating, with occasional spectacular implosions, many of their dedicated cadre call it quits amid demoralization and recriminations. What could possibly remain for a Left whose goal is no longer utopian, and whose path toward it is no longer programmatically defined? Continue reading →

Moscow modernism

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Color photographs from 1931

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Image: A modernist staircase in a
workers’ club in Moscow (1931)
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You know, this whole thing would have been much more of a fair fight and an interesting debate if any of these hysterics had actually bothered to read any Marx, Engels, Lenin, Luxemburg, Trotsky, etc. — figures in whose footsteps they claim to follow — rather than just regurgitate third-rate digest versions of these authors out of the Cliffite canon. If you’re really going to insist on being a “Leninist” today, it might help to have at least a passing familiarity with these authors’ writings, rather than desperately distort their work so as to confirm whatever it is you are doing already. Obviously, the famous revolutionaries from the history of Marxism mentioned above would find all the various grouplets of the Left today unrecognizable, bearing no relation whatsoever to the emancipatory project they either inaugurated or contributed toward. Yes, even the cryogenically-preserved consciousness of Trotsky himself (i.e., the Sparts).

My reaction to the latest hullabaloo — Muscovite worker taking a swig from a bottle while on break (1931)

My reaction to the latest hullabaloo — Muscovite worker taking a swig from a bottle while on break (1931)

That’s not the point, thankfully. While it may seem antiquarian in the Nietzschean sense, the reason for my “obsession with and curatorial affection for communism’s arcana and paraphernalia” is not some vain belief that this past, which they belong to, can be recreated or revived, but because they belong to a period when the Left actually mattered and played a significant role in world events. By comparison, the actually-existing Left of today — whether former advocates of a Living Marxism or self-declared members of “the (still-living) Left” — appears a rather shriveled, paltry thing. Sure, one could point out that there are X or Y number of doctrinally Marxist or avowedly leftist groups “still kicking,” slowly hemorrhaging its membership or amalgamating itself into the amorphous blob of “Left unity.” But what kind of “life” is that? If eking out some miserable, politically-irrelevant existence “carrying on the good fight” is what they call “living,” then I’m more than happy to admit to myself that I’m “dead.”

As things stand, I’m losing interest in satirizing or polemicizing against these intellectual pygmies. It’s just not worth the time or effort. Vintage Soviet alphabet-porn and ceramic Suprematist plateware are far more educational and spiritually uplifting (quite possibly even more revolutionary) than any of this nonsense.

Konstantin Mel'nikov, Rusakov workers' club (1931)

Mel’nikov, Rusakov club (1931) — Where my erstwhile opponents should go: Школа Коммунизма

So now for something completely different:

Here are a few select examples of Moscow modernism taken from the fantastic album “Life in Moscow, 1931: Color photos.” Highly recommended for anyone who reads this blog. Thanks also to The Constructivist Project, whose Facebook page I encourage you all to “like,” for bringing them to my attention. Enjoy! Continue reading →

Soviet-era erotic alphabet book from 1931 [Советская эротическая азбука 1931 года]

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Image: This threesome brought
to you by the letter «А» (1931)
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UPDATE: Apparently it was Giuliano Vivaldi behind the whole rumor that this collection was intended to “combat adult illiteracy,” as I put it here. He wrote: “I copied this from someone’s wall and added with a few exclamation marks that it was part of Stalin’s fight against illiteracy (joke intended). Since then my joke was cited as fact and traveled the internet.”

Consider me trolled! Still prefer to think of it having been conceived for that purpose.

Reproduced here are a bunch of scans from a fascinating erotic alphabet book printed in the Soviet Union circa 1931, made to combat adult illiteracy. By the sculptor and future People’s Artist of the USSR Sergei Merkurov [Сергей Меркуров], no less. For those of you who enjoyed my previous post on classic Soviet board-games from the 1920s, this should be right up your alley.

Ц, Ш

Ц, Ш

As my friend Jasmine Curcio points out, these images draw upon clear precedents in the phallic imagery of ancient Roman art. Throughout the ABC book one can find images of horny satyrs, indecent cupids, and flying disembodied cocks. Given Merkurov’s own fascination with ancient Greek and Roman art, this is hardly surprising. No doubt, all of these precedents were consciously invoked. Though it is admittedly somewhat interesting to see various dirty motifs cribbed from the style of Roman antiquity deployed for the purposes of a Soviet literacy campaign, which was itself such a distinctly modernizing project.

This should stand as definite challenge the false notion that the Soviet Union suppressed its citizens’ sexual desires, or was in the least conservative when it came to such matters. At least, not until Stalin achieved full control and instituted conservative policies. And, ironically, illustrated by the same man who’d later be commissioned by the Soviet government to sculpt a number of famous monuments to Stalin.

Ф, Ь

Ф, Ь

My friend Anna Khachiyan‘s reaction is worthy of inclusion here:

Thanks for sharing this — it is fantastic! All my years of tumblr trolling, and I’ve never seen anything nearly as good. And so artfully done, too. Alas, if only they had this much sex in real life.

But I must ask: What ever happened to the letter «Ж» in these drawings? This would be a difficult letter to navigate, sexually, but imagine the erotic possibilities!

Anyway, without further delay, some acknowledgments:

All of these great images are reposted from the brilliant Russian Livejournal account Isle of Crimea [Остров Крым]. I’d also like to thank Arya Moghadam for first bringing them to my attention. Credit is also due to Agata Pyzik, who first discovered them for the Anglophone world.

Needless to say, these are not safe for work. Enjoy. Continue reading →