Kazimir Malevich, Nikolai Suetin,
and Il’ia Chashnik, with an
article by Aleksei Gan
Extracts from SA, 1927
(no. 3, pgs. 104-106)
During recent years comrade Malevich has worked exclusively in the field of volumetric Suprematist compositions, on problems of the volumetric and spatial forms of material masses. This is somewhat related to the tasks facing creators of modern architecture.
Malevich works intuitively…His experience is not organized by consciousness…So while volumetric Suprematism does not yield objects of that concrete social utility without which modern architecture is not architecture at all, they have vast importance as abstract research of new form, as such.
Kazimir Malevich does not accept either [Rationalism or Constructivism]. He pursues his own “purely suprematist” path, on the principle of its “primacy” or “superiority” [pervenstvo]. What then is Suprematist architecture? It is “the primacy of volumetric masses and their spatial solution in consideration of weight, speed, and direction of movement.”
Arkhitekton Zeta
Malevich arkhitekton
Arkhitektons
Ð. Суетин. Ðрхитектона. 1926
Казимир Малевич. ПроÑтранÑтвенный Ñупрематизм. 1916.
chashnik03
Ðиколай Суетин “СупрематичеÑкий город” Около 1928
Ð˜Ð»ÑŒÑ Ð§Ð°ÑˆÐ½Ð¸Ðº «Проект архитектона» 1925
Ð˜Ð»ÑŒÑ Ð§Ð°ÑˆÐ½Ð¸Ðº «Ðрхитектурный проект» 1926-1927
Ð˜Ð»ÑŒÑ Ð§Ð°ÑˆÐ½Ð¸Ðº «ÐÑкиз архитектона» 1929
Malevich, vertical arkhitekton
К. Малевич. Будущие планиты (дома) землÑнитов (людей). 1924
К. Малевич. Планита – ÑегоднÑшние ÑооружениÑ. 1924
Л. Хидекель. ÐžÐ±ÑŠÐµÐ¼Ð½Ð°Ñ ÐºÐ¾Ð¼Ð¿Ð¾Ð·Ð¸Ñ†Ð¸Ñ – %22Ñооружение%22. 1926
К. Малевич. Вертикальные архитектоны. Середина 20-х годов2
К. Малевич. Вертикальные архитектоны. Середина 20-х годов
И. Чашник. Ðрхитектона. ÐÑкиз
К. Малевич (при учаÑтии Ð. Суетина). ÐšÐ¾Ð¼Ð¿Ð¾Ð·Ð¸Ñ†Ð¸Ñ Ð¸Ð· архитектон (“город”)
К. Малевич. Горизонтальные архитектоны. Середина 20-х годов 4
К. Малевич. Горизонтальные архитектоны. Середина 20-х годов3
К. Малевич. Горизонтальные архитектоны. Середина 20-х годов2
К. Малевич. Горизонтальные архитектоны. Середина 20-х годов
К. Малевич. Ðрхитектона в заÑтройке города. Фотомонтаж
К. Малевич. Ðрхитектона. 1923. ПерÑпектива
архитектоны Малевича
Il’ia Chashnik, Kosmos (1925)
True, this metaphysical formulation does not yield much, to put it mildly, to an intellect thinking materialistically. But Malevich does not only speak, he does, and what Malevich does, we repeat, has great psychological importance. In his new Suprematist volumes and volumetric combinations there is not the smallest particle of atavism.
This is where Suprematist studies can be very important. They could be very beneficially introduced into the Basic Course of the VKhUTEMAS, in parallel to those exercises currently conducted under the influence of the psychologist [Hugo] Münsterberg’s Harvard Laboratory.
The novelty, purity, and originality of abstract Suprematism fosters a new psychology of perception. This is where Malevich’s great contribution will lie.
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