Against activism

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In this short article first published in 1952, Amadeo Bordiga addresses “activism” as “an illness of the workers movement” that exaggerates the “possibilities of the subjective factors of the class struggle” and neglects theoretical preparation, which he claims is of paramount importance. Recently a number of texts have emerged to challenge the unquestioned paradigm of “activism” among Marxists and radicals. Here’s a brief list that I’ve compiled:

  1. “Activism,” by Amadeo Bordiga (1952).
  2. “Marginalia to Theory and Praxis,” by Theodor Adorno (1968). Some notes on the decoupling of theory and practice.
  3. “Resignation,” by Theodor Adorno (1969). Responding to accusations made against the Frankfurt School.
  4. “Militancy: The Highest Stage of Alienation,” by L’Organisation des jeunes travailleurs révolutionnaires (1972). Following the wave of radicalism in 1968.
  5. “Action Will Be Taken: Left Anti-intellectualism and Its Discontents,” by Liza Featherstone, Doug Henwood, and Christian Parenti (2003). From the antiwar years.
  6. “Introduction to The Decline of the Left in the Twentieth Century: Toward a Theory of Historical Regression,” by Benjamin Blumberg for Platypus (2009).
  7. “Additional Remarks on the End of Activism,” by Theorie Communiste (2011).

As I’ve written elsewhere, Marx, Engels, Lenin, and others — one might add Luxemburg, Pannekoek, or Trotsky — would have found the word “activism” [Aktivismus, активизм] unintelligible, especially with respect to their own politics. Nowhere does it appear in any of their writings. Lenin only mentions “activists” [активисты] after 1918, and mostly then in connection with certain Menshevik factions that were “actively” opposed to Soviet power. Even when he’d use roughly equivalent terms like деятели [often translated as “activists,” though more literally “doers”], Lenin’s usual attitude was derisive. He referred, to give just one example, to “some local ‘activists’ (so called because they are inactive).” 

Bordiga’s article thus provides a vindication of sorts, coming from one of the old-timers who was involved in revolutionary agitation and organizing after 1917. Victor Serge described Bordiga as “exuberant and energetic, features blunt, hair thick, black, and bristly, a man quivering under his encumbrance of ideas, experiences, and dark forecasts.” Davidovich, for his part, praised “the living, muscular and full-blooded revolutionary thought of Amadeo Bordiga.” Anyway, most of the others from this period didn’t live long enough to see “activism” become the modus operandi of the Left. Starting in the 1950s and 1960s, the classical Marxist pairing of theory and practice gave way to the hazier binary of “thought” and “action.”

Here I think Bordiga is nicely complemented by some lines by Theodor Adorno, writing in a more scholarly vein:

Thought, enlightenment conscious of itself, threatens to disenchant the pseudo-reality within which actionism moves…[A]ctionism is tolerated only because it is considered pseudo-reality. Pseudo-reality is conjoined with, as its subjective attitude, pseudo-activity: action that overdoes and aggravates itself for the sake of its own publicity, without admitting to itself to what extent it serves as a substitute satisfaction, elevated into an end in itself. (“Resignation” in Critical Models, pg. 291)

The only thing I disagree with in the following article is Bordiga’s characterization of the USSR as “state capitalist,” by which he means something quite different than Tony Cliff (but which seems inadequate nonetheless). I like that he repeatedly invokes Lenin’s “Left-Wing” Communism: A Infantile Disorder (1922), which is especially remarkable given that Ilyich aimed many of his sternest criticisms in that book at Bordiga. Translation modified here and there for readability’s sake.

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Activism

Amadeo Bordiga
Battaglia Comunista
November 7, 1952
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It is necessary to insist on the word. Just like certain infections of the blood, which cause a wide range of illnesses, not excepting those which can be cured in the madhouse, activism is an illness of the workers movement that requires continuous treatment.

Activism always claims to possess the correct understanding of the circumstances of political struggle, that it is “equal to the situation.” Yet it is unable to engage in a realistic assessment of the relations of force, enormously exaggerating the possibilities based on subjective factors of the class struggle.

It is therefore natural that those affected by activism react to this criticism by accusing their adversaries of underestimating the subjective factors of the class struggle and of reducing historical determinism to that automatic mechanism which is also the target of the usual bourgeois critique of Marxism. That is why we said, in Point 2 of Part IV of our “Fundamental Theses of the Party”:

…[t]he capitalist mode of production expands and prevails in all countries, under its technical and social aspects, in a more or less continuous way. The alternatives of the clashing class forces are instead connected to the events of the general historical struggle, to the contrast that already existed when bourgeoisie [began to] rule [over] the feudal and precapitalist classes, and to the evolutionary political process of the two historical rival classes, bourgeoisie and proletariat; being such a process marked by victories and defeats, by errors of tactical and strategical method.

This amounts to saying that we maintain that the stage of the resumption of the revolutionary workers movement does not coincide only with the impulses from the contradictions of the material, economic and social development of bourgeois society, which can experience periods of extremely serious crises, of violent conflicts, of political collapse, without the workers movement as a result being radicalized and adopting extreme revolutionary positions. That is, there is no automatic mechanism in the field of the relations between the capitalist economy and the revolutionary proletarian party.

It could be the case, as in our current situation, that the economic and social world of the bourgeoisie is riddled with serious tremors that produce violent conflicts, but without the revolutionary party obtaining as a result any possibilities of expanding its activity, without the masses subjected to the most atrocious exploitation and fratricidal massacres being capable of unmasking the opportunist agents, who implicate their fate with the disputes of imperialism, without the counterrevolution loosening its iron grip on the ruled class, on the masses of the dispossessed.

To say that an objectively revolutionary situation exists, but that the subjective element of class struggle (i.e., the class party) is deficient, is wrong at every moment of the historical process. A blatantly meaningless assertion, a patent absurdity. Continue reading

Assorted Soviet propaganda posters, 1918-1939

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Here’s an assortment of early Soviet propaganda posters from the revolutionary period up to the eve of the Second World War. I found a cache of exceptionally high quality, high resolution scans. Obviously my posting of them does not constitute an endorsement of the political views they express, especially in its more monumental Stalinist overtones (being more sympathetic to Trotsky and the Left Opposition myself).


Red Wedge beats the White Circle, 1919 El Lissitzky Aleksandr Rodchenko, poster for books with Lilia Brik, 1924 Aleksandr Rodchenko, Dobrolet poster 1923 Battleship Potemkin movie poster 1925 Soviet tramcar service advertisement, 1920s.


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Walking between precipices: An interview with Ernesto Laclau

Hegemony vs. reification,
Gramsci contra Lukács .

Platypus Review 2
February 1, 2008
Ashleigh Campi
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May 2014: Ernesto Laclau, the post-Marxist Argentine political theorist of populism and democracy, died a little under a month ago. I’m reposting this interview Ashleigh Campi conducted several years ago with him because I think it gets at some of the tensions within Marxist thought and the differential legacy of concepts like “hegemony” and “reification.” To be sure, I’m not really an admirer of Laclau’s work, and consider post-Marxism (a term coined by Laclau and his French colleague Chantal Mouffe) a form of late capitalist dementia, a senility of sorts. But it is one that expresses a broader pattern of degeneration across the board during the 1980s, that is not merely the fault of various intellectuals’ “loss of nerve” or idiosyncratic “deviations.” It reflects an objective political reality that had regressed from the position it occupied even a few decades earlier.

February 2008: Confronting the confusion and fragmentation that wrought progressive politics in recent decades, Ernesto Laclau’s work attempts to theorize the path to the construction of a radical democratic politics. Drawing on Gramsci’s concept of hegemony to devise his own theory by that name, Laclau describes the processes of social articulation that creates popular political identities. By redefining democratic politics as the construction of hegemony, Laclau reminds political actors of the work necessary to construct the plurality of democratic structures vital to any emancipatory political project. In December 2007, Laclau sat down to talk about the use and misuse of Marx’s theories, and what he sees as the essential questions for political theory today. Laclau teaches political theory at the University of Essex and at Northwestern University, in Chicago. .

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Ashleigh Campi: In describing the process of uniting disparate social demands behind a common politics, your work argues that the proliferation of social movements and politicization of certain identities in recent decades offers the potential for a deepening of the democratic process and presents new possibilities for social emancipation. Politics is to be understood as process through which demands are articulated by particular identities; immigrants, public-housing residents, the unemployed, etc. Do you see this emphasis on the plurality of political demands as a challenge to the creation of a coherent progressive politics?

Ernesto Laclau: I think we are dealing with two edges of a sword, because on the one hand it is obvious that the horizontal proliferation of social demands in recent decades is enlarging the area from which an emancipatory project can be launched. On the other hand to put together all of these social demands in a coherent project is more complicated than when people thought that there was just one social agent of emancipation which was the working class. For instance, I remember thirty years ago in San Francisco; everybody said that we had all the conditions for a very large emancipatory movement, popular pole etc., because we had the demands of the chicanos, the demands of the blacks, the demands of the gays, but at the end of the day, some of these demands clashed with the demands of the other groups, so nothing happened. There have been attempts like the Rainbow Coalition of Jesse Jackson to put together a plurality of these demands but the task is not easy; the Rainbow Coalition didn’t have a particularly good end. So I think that the dilemma of contemporary politics is how to create a unity out of diversity. That is the political challenge that we are facing today.

Ashleigh Campi: You’ve described the process of radicalizing political demands as the process through which disperse localized claims become discursively linked such that political subjects come to identify themselves in common as the bearers of rights that are not being met by an institutional order. This unity then becomes asserted as the demand for the radical overhaul of the institutional order, or some process of radical reform or revolution. Does this common antagonism provide a sufficient mechanism of unification among ‘the people’ of democratic politics to allow them to carry out the task of self-governance?

Ernesto Laclau: Well, I have tried to argue that all demands taking place in a public sphere are always internally divided. For instance you can have a demand for higher wages, but if it is articulated in some kind of repressive regime in which the demand is not immediately responded to, on the one hand the demand will have its particular content (higher wages), but on the other hand people will see the demand as a challenge to the existing system as a whole. Because of this second, more universal side of the demand, the demand could generate other social demands whose content is very different from the first; for instance, student demands for increasing autonomy in schools will start to form an equivalential relation so that the two demands, higher wages and increased autonomy — which are very different from the point of view of their particularity, come to be seen as equivalent in their opposition to a regime which is challenged by both. Thirdly let’s suppose that you have a third demand: the demand for freedom of the press from some liberal sector. Again this demand is a particularity that establishes the opposition to an existing state and creates some equivalential relations and in this way it constructs what I would call an equivalential chain. Now, at some point you would see not only the individual demand, but the chain of demands as a whole. At that point, because the means of representation of this chain is one individual demand — this demand is charged with the function of representing the whole. This is an example that I have used in my work: the demands of Solidarnosc in Poland. In the beginning there were the demands of a group of workers in the Lenin shipyards in Gdansk, but because these demands took place in a situation in which many other demands were not recognized by a repressive regime, these demands assumed the function of representing the whole. This is what I call an empty signifier. Why empty? Because, if the signifier is going to represent the totality of the chain, it has to abandon its only relationship with the particular demand from which it originated, and it has to represent a vast array of demands which are in an equivalential relationship; so it is less clearly a particularity and more and more a universal, and at the same time it is a hegemonic signifier because it has the function of representing — through its particular body — the universality transcending it. As I see it, this is the process of generation of a popular will as a whole. But as we were saying before there are counter tendencies that go against this popular representation of the collective will. For instance there is the tendency to reduce each demand to its own particularity so that this equivalential effect — the construction of the popular will — is finally defeated. And in the societies in which we live, these two tendencies — the tendency toward universalization through the production of empty signifiers and the tendency towards the particularism of the special demands — create a tension that is the very terrain in which the political is constructed. Continue reading

Biography is destiny

Anne Boyer on Althusser
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Sigmund Freud, the father of psychoanalysis, once infamously asserted that “biology is destiny.” (What he actually wrote was “anatomy is destiny,” but this is a trivial distinction. Either way, the statement was clearly intended as a provocation). Of course, Freud made this remark in connection with the subject of female genitality, with a sideways glance cast toward “the feministic demand for equal rights” — which he held “[did] not carry far here.”[1] It should thus hardly come as any surprise that the milquetoast lefty Kulturzeitschrift New Inquiry would reject this formulation. By all accounts, however, if Anne Boyer’s recent “review” of On the Reproduction of Capitalism by the late Louis Althusser is any evidence, the online journal has embraced an opposite but equally dubious dictum. According to this view, it would seem that “biography is destiny.” Her examination of this text, the first translation of Althusser’s writings to be published in years, serves as a mere pretext for her bizarre tirade against philosophers’ incorrigible habit of reproducing “patriarchy,” here nebulously conceived as a kind of timeless or perennial entity or institution.

Normally I’d be the last person to mount a serious defense of Althusser. Theoretical antihumanism, the outcome of Althusser’s misguided structuralist approach to Marxism, has proved deeply problematic in its subsequent influence on the Left. His notion of a sharp “epistemic break” dividing the Young Marx from the Old, laid the groundwork for a whole generation of bad scholarship. Even more ironic is the fact that Althusser would propose such a drastic rereading of Marx’s mature works, especially Capital, so soon after the rediscovery of the Grundrisse in the 1950s, which all but confirmed the persistent Hegelian underpinnings not just of the early works (The Economic and Philosophic Manuscripts of 1844, The German Ideology, etc.), but his broader investigations into political economy more than a decade later. Althusser could scarcely have chosen a worse time, Marxologically speaking, to advance such a hypothesis. Besides this, there are any number of objections one might legitimately raise: his ahistorical notion of ideology, his rejection of historico-critical self-consciousness as the foundation for both individual and group subjectivity, or his botched anti-Hegelian interpretation of Lenin (who’d written that “[i]t is completely impossible to understand Marx’s Capital, especially its opening chapter, without having thoroughly studied and understood the whole of Hegel’s Logic!”). One could go on. Continue reading

Stalinism and Bolshevism

Leon Trotsky
Socialist Review

(August 1937)

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Reactionary epochs like ours not only disintegrate and weaken the working class and isolate its vanguard but also lower the general ideological level of the movement and throw political thinking back to stages long since passed through. In these conditions the task of the vanguard is, above all, not to let itself be carried along by the backward flow: it must swim against the current. If an unfavorable relation of forces prevents it from holding political positions it has won, it must at least retain its ideological positions, because in them is expressed the dearly paid experience of the past. Fools will consider this policy “sectarian.” Actually it is the only means of preparing for a new tremendous surge forward with the coming historical tide.

The reaction against Marxism and Bolshevism

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Great political defeats provoke a reconsideration of values, generally occurring in two directions. On the one hand the true vanguard, enriched by the experience of defeat, defends with tooth and nail the heritage of revolutionary thought and on this basis strives to educate new cadres for the mass struggle to come. On the other hand the routinists, centrists and dilettantes, frightened by defeat, do their best to destroy the authority of the revolutionary tradition and go backwards in their search for a “New World.”

One could indicate a great many examples of ideological reaction, most often taking the form of prostration. All the literature if the Second and Third Internationals, as well as of their satellites of the London Bureau, consists essentially of such examples. Not a suggestion of Marxist analysis. Not a single serious attempt to explain the causes of defeat, About the future, not one fresh word. Nothing but clichés, conformity, lies and above all solicitude for their own bureaucratic self-preservation. It is enough to smell 10 words from some Hilferding or Otto Bauer to know this rottenness. The theoreticians of the Comintern are not even worth mentioning. The famous Dimitrov is as ignorant and commonplace as a shopkeeper over a mug of beer. The minds of these people are too lazy to renounce Marxism: they prostitute it. But it is not they that interest us now. Let us turn to the “innovators.”

Vanishing commissars 1.

The former Austrian communist, Willi Schlamm, has devoted a small book to the Moscow trials, under the expressive title, The Dictatorship of the Lie. Schlamm is a gifted journalist, chiefly interested in current affairs. His criticism of the Moscow frame-up, and his exposure of the psychological mechanism of the “voluntary confessions,” are excellent. However, he does not confine himself to this: he wants to create a new theory of socialism that would insure us against defeats and frame-ups in the future. But since Schlamm is by no means a theoretician and is apparently not well acquainted with the history of the development of socialism, he returns entirely to pre-Marxist socialism, and notably to its German, that is to its most backward, sentimental and mawkish variety. Schlamm denounces dialectics and the class struggle, not to mention the dictatorship of the proletariat. The problem of transforming society is reduced for him to the realisation of certain “eternal” moral truths with which he would imbue mankind, even under capitalism. Willi Schlamm’s attempts to save socialism by the insertion of the moral gland is greeted with joy and pride in Kerensky’s review, Novaia Rossia (an old provincial Russian review now published in Paris); as the editors justifiably conclude, Schlamm has arrived at the principles of true Russian socialism, which a long time ago opposed the holy precepts of faith, hope and charity to the austerity and harshness of the class struggle. The “novel” doctrine of the Russian “Social Revolutionaries” represents, in its “theoretical” premises, only a return to the pre-March (1848!) Germany. However, it would be unfair to demand a more intimate knowledge of the history of ideas from Kerensky than from Schlamm. Far more important is the fact that Kerensky, who is in solidarity with Schlamm, was, while head of the government, the instigator of persecutions against the Bolsheviks as agents of the German general staff: organised, that is, the same frame-ups against which Schlamm now mobilises his moth-eaten metaphysical absolutes.

The psychological mechanism of the ideological reaction of Schlamm and his like, is not at all complicated. For a while these people took part in a political movement that swore by the class struggle and appeared, in word if not in thought, to dialectical materialism. In both Austria and Germany the affair ended in a catastrophe. Schlamm draws the wholesale conclusion: this is the result of dialectics and the class struggle! And since the choice of revelations is limited by historical experience and…by personal knowledge, our reformer in his search for the word falls on a bundle of old rags which he valiantly opposes not only to Bolshevism but to Marxism as well.

At first glance Schlamm’s brand of ideological reaction seems too primitive (from Marx…to Kerensky!) to pause over. But actually it is very instructive: precisely in its primitiveness it represents the common denominator of all other forms of reaction, particularly of those expressed by wholesale denunciation of Bolshevism.

“Back to Marxism”?

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Marxism found its highest historical expression in Bolshevism. Under the banner of Bolshevism the first victory of the proletariat was achieved and the first workers’ state established. No force can now erase these facts from history. But since the October Revolution has led to the present stage of the triumph of the bureaucracy, with its system of repression, plunder and falsification — the “dictatorship of the lie,” to use Schlamm’s happy expression — many formalistic and superficial minds jump to a summary conclusion: one cannot struggle against Stalinism without renouncing Bolshevism. Schlamm, as we already know, goes further: Bolshevism, which degenerated into Stalinism, itself grew out of Marxism; consequently one cannot fight Stalinism while remaining on the foundation of Marxism. There are others, less consistent but more numerous, who say on the contrary: “We must return Bolshevism to Marxism.” How? To what Marxism? Before Marxism became “bankrupt” in the form of Bolshevism it has already broken down in the form of social democracy, Does the slogan “Back to Marxism” then mean a leap over the periods of the Second and Third Internationals…to the First International? But it too broke down in its time. Thus in the last analysis it is a question of returning to the collected works of Marx and Engels. One can accomplish this historic leap without leaving one’s study and even without taking off one’s slippers. But how are we going to go from our classics (Marx died in 1883, Engels in 1895) to the tasks of a new epoch, omitting several decades of theoretical and political struggles, among them Bolshevism and the October revolution? None of those who propose to renounce Bolshevism as an historically bankrupt tendency has indicated any other course. So the question is reduced to the simple advice to study Capital. We can hardly object. But the Bolsheviks, too, studied Capital, and not badly either. This did not however prevent the degeneration of the Soviet state and the staging of the Moscow trials. So what is to be done? Continue reading

Stalinist kitsch

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The title of this entry deserves some explanation. “Stalinist kitsch,” one might object, is a bit superfluous. Or redundant, rather. Everything is announced by simply saying “Stalinist,” after all. Doesn’t matter if it’s politics, aesthetics, whatever. It’s already assumed that it’s kitsch.

All the same, there’s plenty about Stalinism that deserves to be taken seriously. Not because it’s “right” about history or society or economics; no, nothing like that. Rather, it’s because whether we admit it or not, Stalin did seem to represent one solution (or at least stopgap) to the problem of mass society. Perhaps not a likable answer to the issues posed by modernity, but a likely one. This is something that Boris Groys, among others, has pointed out.

Moreover, though Stalin might have been more than a little lackluster as a theoretician — the primitiveness and crudity of his imagination was legendary — it’s not like he was completely ignorant. Least of all about Bolshevism and its various controversies over the years. He’d been in the party since 1903, so he was hardly a novice. And to be honest, many historians politically aligned with Stalinism wrote very rigorous, detailed accounts of their various objects of study. Though they may be a little vulgar and undertheorized at times, they’re preferable to a lot of the crap that’s published.

What’s even scarier is that those few explicitly Stalinist parties that still exist often have better politics than their soi-disant “Trotskyist” counterparts, who now operate more or less according to the logic of Stalinoid popfrontism, but without even the vague self-consciousness that Stalinists possessed. Sad times indeed.

Below are a bunch of the kitschier photos, posters, and artworks from the Stalin era. Click on any of the images to enlarge them. Furthermore, to compensate for this bit of lighthearted parody, I’m including Evtushenko’s somber 1961 poem, published in Pravda, on the “heirs of Stalin.”

The heirs of Stalin

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Mute was the marble. Mutely glimmered the glass.
Mute stood the sentries, bronzed by the breeze.
Thin wisps of smoke curled over the coffin.
And breath seeped through the chinks
as they bore him out the mausoleum doors.
Slowly the coffin floated, grazing the fixed bayonets.
He also was mute — his embalmed fists,
just pretending to be dead, he watched from inside.
He wished to fix each pallbearer in his memory:
young recruits from Ryazan and Kursk,
so that later he might collect enough strength for a sortie,
rise from the grave, and reach these unreflecting youths.
He was scheming. Had merely dozed off.
And I, appealing to our government, petition them
to double, and treble, the sentries guarding this slab,
and stop Stalin from ever rising again
and, with Stalin, the past. Continue reading

Class and identity crisis

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Mike Naylor has written a succinct response to Mark Fisher’s “Vampires’ Castle” article. Though I’ve already more or less said my piece on the matter, Naylor’s narrow focus on the issue of class in Fisher provides a convenient excuse for me to flesh out some ideas about its social, political, and cultural dimensions. I’ve been meaning to write something up on it for a while now. But before we embark on that divagation, let’s first attend a few things Naylor writes in critiquing Fisher. Toward the end, he avers:

We should reject Fisher’s call to ignore oppression, as if our lack of thinking about them makes them go away.

Certainly, ignoring oppression won’t make it go away. But compulsively talking about and splitting hairs about oppression isn’t necessarily a way of thinking about them. More often than not it’s an unthinking procedure ritualistically invoked, which gives the false appearance of probity and depth while in fact it remaining at an extremely superficial level of abstraction. If anything, the obsessive focus on all the particular ways one is oppressed obscures more than it clarifies the universal unfreedom of modern society: namely, that which is entailed by capital’s continued dominance over the process of production. Though intersectionality claims to finally address the actual complexity of life under the capitalist social formation in all its empirical messiness — casting light on the manifold, multiform imbalances and power dynamics — in truth it only further confounds the situation. Even the language used in trying to grasp these different aspects of oppression bespeaks an abiding confusion over how they all fit together. All the talk of “intersecting,” “overlapping,” and “interlocking” “networks,” “systems,” and “modalities” of “discrimination,” “subjugation,” and “interpellation” (concepts pilfered from the coffers of the Theory Industry these last thirty years) is simply a safeguard that ensures identity politicians won’t be surprised by new forms of oppression that await discovery or invention.

(On this note, some perceptively quipped: “Isn’t ‘intersectionality’ just another name for what we used to call [the Freudian and Althusserian concept of] ‘overdetermination’?” They’re right, you know.)

By relying so heavily on flimsy neologisms like these, identity politics is thereby allowed to neglect and even studiously avoid confrontation with the overarching totality of social relations under capitalism. Apparent heterogeneity here masks underlying homogeneity. Seemingly centrifugal tendencies toward dispersal and diffusion veil capital’s propensity toward concentration and centralization. Rather than reveal the true magnitude of this historic impasse, the ongoing crisis of bourgeois society, identity politics seizes upon the accidence and minutiae of everyday experience and anoints these as crucial sites of “struggle.” Every perceived slight, asymmetry, or indiscretion, no matter how minor, is exaggerated and thereby elevated to a matter of life and death. The fear is that without scrupulous attention to detail, revolutionary politics will end up reproducing the very forms of oppression they ostensibly seek to overcome. However convincing this oft-repeated argument might seem at first blush, it should be remembered that means and ends are not always identical when it comes to politics. Far from taking problems such as racism, sexism, and homophobia seriously, moreover, the Left seems to subscribe to the naïve belief that structural forms of social oppression can be corrected simply by codifying and bureaucratizing the way that people talk about them.

The points Naylor makes in criticizing of Fisher’s idea of class are well taken. Cultural markers such as accent or inflection, habits of dress or behavior associated with a given social stratum can hardly be considered constitutive features of class. These vary too much over time and space to have any enduring value as indicators of one’s socioeconomic standing or origin. At most, they can be considered a loose set of criteria or ensemble of expectations that stereotype different groups of individuals throughout society. It would make no sense to either exalt or abase someone on the basis of such qualities. Members of the working class should do not deserve to be demonized as “chavs,” but neither should they be condescendingly valorized as somehow more “authentic” on account of their unpretentious, slangy speech or charmingly direct mannerisms. Continue reading

The Vesnin brothers’ Likachev Palace of Culture (ZIL) in Moscow, 1930-1936

The Vesnin brothers' ZIL Palace of Culture in Moscow, 1931

The Vesnin brothers’ ZIL Palace of Culture in Moscow, 1931

Conference room inside the Vesnin brothers' ZIL Palace of Culture in Moscow, 1931.

Conference room inside the Vesnin brothers’ ZIL Palace of Culture in Moscow, 1931.

Edward Clark, photo for LIFE magazine with the Vesnins' Palace of Culture in the background, 1955 Edward Clark, photo for LIFE magazine with the Vesnins' Palace of Culture in the background, 1955a The Vesnins' ZIL Palace interior with Lenin statue, 1937 The Vesnins' ZIL Palace interior with stairs and Lenin, 1937 The Vesnins' ZIL Palace theater interior, 1934 The Vesnins' ZIL Palace, 1938 The Vesnins' ZIL Palace, 1949 The Vesnins' ZIL Palace, 1963 ZIL palace of culture photo 1930 ZIL palace of culture photo 1931 ZIL palace of culture photo 1935 ZIL palace of culture photo 1935a ZIL palace of culture photo 1937 ZIL palace of culture photo 1938 ZIL palace of culture photo 1953 ZIL palace of culture photo 1955 ZIL palace of culture ZIL palace of culture1 ZIL palace of culture2 ZIL palace of culture3 ZIL palace of culture4 ZIL palace of culture5 ZIL palace of culture6 ZIL palace of culture7 ZIL palace of culture8 ZIL palace of culture9 ZIL palace of culture10 ZIL palace of culture11 ZIL palace of culture12 ZIL palace of culture14 ZIL palace of culture16 ZIL palace of culture19 ZIL theater ZIL theater1 ZIL banner ZIL leaving Vesnins ZIL ZIL palace of culture61

Criticism after utopian politics

Zoltan “Pac” Pobric
The Brooklyn Rail
May 3rd, 2013
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Following up on yesterday’s “advice to critics,” I thought it would be appropriate to include a reflection on the state of criticism today. This short article was written by my friend Zoltan “Pac” Pobric, an editor of the Platypus Review. A few other pieces on the subject have been written lately that I’d recommend, such as Ben Davis’ “Crisis and criticism” and Laurie Rojas’ “Confronting the ‘death’ of art criticism.” Pac’s piece is posted here for its exceptional clarity and concision, qualities lacking in much of what passes for “criticism” in the present.

Originally published on The Brooklyn Rail‘s website. The image is Charles Baudelaire photographed in 1855.

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There has been no lack of talk, for the past ten or so years, of some kind of “crisis” in art criticism. James Elkins, Arthur Danto, Katy Siegel, Hal Foster, et al.; everyone seems to have some stake in the failure or ineptitude or impossibility of critical thought. Elkins says that judgment should return; Danto says it’s unnecessary. Siegel says critics have little, if any, real power, and Foster, when pressed, seems to conclude that contemporary criticism is too confused to pin down, which of course is true. Yet all the hand wringing has little to do with criticism per se. The deeper problem, no doubt, is political, and all the anxiety about whether or not we understand contemporary art and culture is misplaced from a deeper distress: do we even understand the world we live in? What’s unclear is not only how we got to our present historical condition, but also, by default, what progress beyond it would look like.

Jacques-Louis David, Death of Marat, 1793. Oil on canvas, 63 3/4 × 50 3/8". Royaux des Beaux-Arts/Koninklijke Musea voor Schone Kunsten, Brussels.

Jacques-Louis David, Death of Marat, 1793. Oil on canvas,
63 3/4 × 50 3/8″. Royaux des Beaux-Arts, Brussels.

Nor does culture seem to offer any directive past the impasse, although the problem isn’t the lack of excellent contemporary art. There is good art today, as there always has been. The deeper problem is that no one seems to be able to recognize it. Art, of course, relies on a receptive audience, and the fundamental question is whether or not one exists today. If even art, like politics, does not seem to be on the verge of a major breakthrough, that may simply be because we cannot imagine what that breakthrough might be.

Our historical moment is a peculiar one. We exist in a quite different universe from the political environments that produced Diderot, writing about the Salon on the eve of the French Revolution; or Baudelaire on Courbet in the wake of the Revolutions of 1848; or even Greenberg, writing about Abstract Expressionism at a time when Trotskyism was still a serious, if increasingly untenable, political position. Our climate is more pessimistic, and progress is more elusive. Revolutionary change is nowhere on the horizon today, as it was for the best critics of the past. Continue reading

Divagation on “activism” in aesthetics and politics

From a forthcoming review

Untitled.
Image: Cover to Lajos Kassák’s
Ma: Aktivista folyóirat (1924)

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Excerpted and partially excised from a generally much more favorable review of Ben Davis’ Art and Class, a very worthwhile read. Some of this material strayed a little too far off course to be included.

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The one glaring weakness of Ben Davis’ recent collection 9.5 Theses on Art and Class is its conflation of activism and politics. Of course, Davis is not alone in considering them more or less identical. For many who joined the antiwar movement of the mid-2000s, protest marches were the default mode of political participation. Much of Davis’ frustration with the self-important posturing of “radical” artists stems from this formative experience.

Early on in Art and Class, he recalls an exchange he had with an artist during this period. After conversing for a while about their shared opposition to the Iraq invasion, they each agreed to attend the next chapter meeting of the ANSWER coalition in New York. When the artist failed to show, Davis followed up only to find out that he’d spent his evening in front of an easel instead. The artist apparently informed him that “his painting…was his contribution to making the world a safer place.”[1] Needless to say, Davis was nonplussed by this explanation. Wondering what might lead someone to supply such a dubious alibi, he decided to submit the very idea (or, more accurately, the ideology) of “aesthetic politics” to further scrutiny. Upon closer inspection, he concludes that “[a]s a critical trope, ‘aesthetic politics’ is more of an excuse not to be engaged in the difficult, ugly business of nonartistic political activism than it is a way of contributing to it.”[2] Repeatedly Davis expresses his consternation at this state of affairs, finding most answers to the problem of art and politics wanting. Worse yet, he alleges, the question is no longer even asked: “The question of what, if any, relation artists might have to activism has receded into the background.”[3] Continue reading