Lenin’s State and Revolution, composed during the summer months of 1917 (between two revolutions), is praxis embodied in text. While its content is ostensibly theoretical, the corrosive criticism it contains simultaneously served practical ends. The work may therefore be viewed in two fairly distinct formal lights: first, qua Marxist political treatise; second, qua polemic. But, in true dialectical fashion, Lenin’s two central motifs constitute an inseparable unity. They interweave with one another, sundering apart at one moment only to again coalesce in the next. Lenin distinguishes himself from many other dialecticians in this work, however. For while he remains faithful to the oscillating (even hypnotic) method of presentation that typifies dialectical reasoning, his style nevertheless retains its lucidity. His examination is thoroughgoing, yet the conclusions it yields are unambiguous. It is at once a testament to the author’s political genius as it is to the demands of the times in which it was written, bearing the stamp of irreducible brilliance (contingency) alongside the incumbent historical conditions (necessity).
