Rousseau, Kant, and Hegel

Chris Cutrone
Platypus Review 61
November 2013
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Originally published in the Platypus Review.

On June 9, 2013, the Platypus Affiliated Society organized a panel discussion on “Revolution without Marx? Rousseau and his followers for the Left” for the 2013 Left Forum at Pace University, New York. What follows is the edited version of the first of the prepared opening remarks. A full recording of the event is available online.
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Introduction

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Bourgeois society came into full recognition with Rousseau, who in the Discourse on the Origin of Inequality and On the Social Contract, opened its radical critique. Hegel wrote: “The principle of freedom dawned on the world in Rousseau.”

Marx quoted Rousseau favorably that “Whoever dares undertake to establish a people’s institutions must feel himself capable of changing, as it were, human nature…to take from man his own powers, and give him in exchange alien powers which he cannot employ without the help of other men.”

Rousseau posed the question of society, which Adorno wrote is a “concept of the Third Estate.”

Marx recognized the crisis of bourgeois society in the Industrial Revolution and workers’ call for socialism. But proletarian socialism is no longer the rising force it was in Marx’s time. So what remains of thinking the unrealized radicalism of bourgeois society without Marx? Kant stated that if the potential of bourgeois society was not fully achieved as the “mid-point” of freedom then Rousseau may have been right to prefer savagery against civilization’s “glittering misery.” Nietzsche warned that we might continue to be “living at the expense of the future:” “Perhaps more comfortably, less dangerously, but at the same time in a meaner style, more basely.”[1] How have thinkers of the revolutionary epoch after Rousseau, Adam Smith, Kant, Hegel, Benjamin Constant, and Nietzsche himself, contributed to the possibility of emancipation in a world after Marxism?

Karl Marx, photographed in 1870

Marx and Rousseau

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Marx’s favorite quotation of Rousseau, from On the Social Contract, goes as follows:

Whoever dares undertake to establish a people’s institutions must feel himself capable of changing, as it were, human nature, of transforming each individual, who by himself is a complete and solitary whole, into a part of a larger whole, from which, in a sense, the individual receives his life and his being, of substituting a limited and mental existence for the physical and independent existence. He has to take from man his own powers, and give him in exchange alien powers which he cannot employ without the help of other men.[2]

Marx wrote that this was “well formulated,” but only as “the abstract notion of political man,” concluding that,

Human emancipation will only be complete when the real, individual man has absorbed into himself the abstract citizen; when as an individual man, in his everyday life, in his work, and in his relationships, he has become a species-being; and when he has recognized and organized his own powers as social powers so that he no longer separates this social power from himself as political power.[3]

What did Marx mean by “social powers” as opposed to the “political power” from which it has been “separated?” Continue reading

Tragedy, relational art

by Bret Schneider

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Image: Detail from Gustav
Klimt’s Tragoedie (1911)

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Originally posted on Bret Schneider’s website, quaquaqua.

Apperceptive indifference

Some “minor” artworks seem especially indifferent to society. Doubtlessly, it is this affect which exclusively distinguishes them from other artworks, and the idiosyncratic reflection in which this indifference is formed determines their quality. Rather than see indifference as nihilistic, it is a form of apperceptive reflection that is especially insightful, though, towards nothing in particular. This “nothing in particular” is what rubs people the wrong way, but for what reasons? Virginia Woolf’s theory of modern fiction, as well as the essay claimed that there is no detail too insignificant to include in the totality of the work. The philosophy not explicated further in this claim is that we do not know what our values are in the modern age, as everything is free-floating and now yet to be determined. Analogous to film, which Benjamin observed was able to focus on the marginal things which are assumed as materially constitutive of subjectivity, but not recognized as such, literary inclusions of meandering thoughts focus on those things that we know that we know, but don’t know that we know yet. Apperceptive artworks propose that the way to properly perceive the world is no longer dependent on the direct act of standing in front of a painting and straining one’s eyes out the front one’s head, which is a type of muscular reflection obstructed by obsolete moralistic efforts. Rather, apperceptive modes of reflection refine this by an almost peripheral vantage point, postulating that in order to experience something properly, one must not even really look at it. It is a form of indirect experience. Certainly, there is an element of “trying” that is required to train the mind for this type of viewing, but it is a type which doesn’t try to “get it,” or to “experience it,” or “love it,” etc., but a type which is geared towards the development of a second nature of reflection that would render these bourgeois concepts as obsolete as they have truly become, if only in ideal. The development of an adequate apperceptive faculty resides in the self-understanding of one’s perception as not merely watcher, but also watched. That is, reflection imitates the particularly modern condition whereby one is both subject and object, and in which the differentiation from mere objects is in the midst of being processed, so to speak. One grows eyes on the side of one’s head, like a fish, or develops a form of cognition like a fly’s refractive eyesight that takes in ever more distracted objects. The metamorphosis from human to insect is not entirely barbaric — it is a type of second nature. Beckett’s transfiguration of human to static object is not merely a critique of passivity and so forth, but indicates a real perfectability of reflection to a state where it can take in those aspects of nature that are denied to otherwise affirmed humanistic principled. Furthermore, the ability to perceive oneself as an object is a precondition for constituting projected forms of subjectivity.

A young Virginia Woolf

A young Virginia Woolf

The grand excavation

The broad field of human life turns into a grand excavation, the means of which are brought about by a particular form of insight that is indifferent to, and a development out of, the obsolete forms of perceptive and logical thought. A vulgar analogy comes out of detective stories: the modern detective is contrasted in his peculiar attention to details that would otherwise be overlooked by traditional methods of investigation. At times, it appears that the detective isn’t even paying attention, or is indifferent to the serious matter at hand. In pop culture, this is chalked up to a merely eccentric personality, whereas in truth their indifference is at the avant-garde of distant criticism. An immersive, immediate form of investigation into the object at hand would be hindered by standard forms of perception that take grip of the one who is critiquing the situation. In an indifferent form of cognition, there is a distance from such immediacy, almost as if the indifferent thinker has never once been privy to the laws and rules which seem to apply to everyone else. This sort of character is sanctioned and developed as an anomaly — the anomaly being a result of social refinement. Continue reading

“Gay errancy”: Hypermoderns (postmoderns)

by Manfredo Tafuri

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Image: Manfredo Tafuri
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Download the PDF of Manfredo Tafuri’s “‘Gay errancy’: Hypermoderns (postmoderns).”

It is well known that in Italy, Portoghesi launched a style that has been called “postmodern” with his Strada Novissima and a dense series of publications, and thus joined an international circuit that includes analogous “opinion-makers” such as Charles Jencks and Robert Stern. Portoghesi was different, though, in that he had a long theoretical and practical interest in the manipulation of historical signs: as we have seen, his first neobaroque experiments began in the late fifties. His more recent “manifestos” are linear. They contain an appeal for a “liberation from ideas” supposedly imposed upon architects and their beneficiaries by the “modern movement,” for a joyous rediscovery of the entire repertory of the I past, for expressive contaminations of the complexity of historical eras, and for a formal expressiveness linked to the recovery of the concepts of place and continuity. Portoghesi also engaged in a critique of the utopia of the “modern” and of its nihilistic character, which was spiritually grounded in the ideology of progress. “Liberation” is presented as overcoming avant-garde attempts to “reconstruct the universe,” and also as canceling incongruous duties, in order to recover the happiness of “rich languages” that have been lost. Echoes of the philosophical writings of [Martin] Heidegger, [Arnold] Gehlen, [Gilles] Deleuze, and [Emmanuel] Lévinas — listening, simulacrum, post-histoire, angel of history — possibly mediated by Mario Perniola and Gianni Vattimo, punctuate Portoghesi’s writings, as he travels the seas of contemporary thought, a voyage that, as we shall see, has its own particular significance.

A hedonistic urge and a taste for citation, as well as free association and pastiche, counterbalance each other in the proposals of Portoghesi, whose theoretical production has been accompanied by skillful professional and promotional activities. This man and the review Eupalino soon became the focal points of a composite school intent on using design and writing to breathe new life into a stringent critique of the “modern,” thereby hailing the advent of a new era.

Sketch by Paolo Portoghesi

Sketch by Paolo Portoghesi

Portoghesi gathers almost all the motifs that have been floating about in the international architectural and philosophical debate of recent decades. His theoretical system accommodates a broad spectrum of issues: a critique of the linear concept of history, a reflection upon memory, the need for a new nonmetaphysical statute for truth, the emergence of new demands for identity and what can be imagined, the demand for peripheral identities, the cult of roots, and the explosion of ephemeral hedonisms. In fact, his cultural project is to make debate a priority once again, focused upon passwords such as the “end of prohibitionism,” rediscovered architecture, historical roots, and listening to the site and to history. In this way, the factors characterizing Italian architecture at the present — the multiplication of ideas and the slow formation of parameters of comparison — are flattened in a synthetic attempt, launched with the explicit goal of cultural “management.” And that is not all. The reduction of pluralism to a formula includes a study of the true nature of kitsch: there is an answer for everything, and the need for solutions predominates. Continue reading

Nietzsche, by Edvard Munch 1906)

Twilight of the idoloclast?

On the Left’s recent anti-Nietzschean turn

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[W]hat makes Nietzsche’s influence so un/canny is that there has never been adequate resistance from a real Left.

— Geoff Waite, Nietzsche’s Corps/e (1996)

Few thinkers have enjoyed such widespread appeal over the last forty years as Nietzsche.

— Peter Thomas, “Overman and
the Commune”
(2005)

Opposed to everyone, Nietzsche has met with remarkably little opposition.

— Malcolm Bull, “Where is the
Anti-Nietzsche?”
(2001)

If Nietzsche’s arguments could be said to have gone unchallenged during the second half of the twentieth century, as the above-cited authors suggest, the same cannot be said today. Beginning in the early 1990s, but then with increasing rapidity over the course of the last decade, a distinctly anti-Nietzschean consensus has formed — particularly on the Left. Recent years have witnessed a fresh spate of texts condemning both Nietzsche and his thought as irredeemably reactionary, and hence incompatible with any sort of emancipatory politics. Numerous authors have contributed to this shift in scholarly opinion. To wit: William Altman, Fredrick Appel, Malcolm Bull, Daniel Conway, Bruce Detwiler, Don Dombowsky, Ishay Landa, Domenico Losurdo, Corey Robin, and Geoff Waite. The list goes on. Continue reading

Painting of Trotsky by Henry Schnautz, 1950s

Some hitherto untranslated sections of Trotsky on Nietzsche (1908)

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Image: Henry Schnautz’s Trotsky (1950s)

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Here are a few preliminary, still very rough translations of passages from Trotsky writing on Nietzsche not available in English. There is probably some background required to know the various philosophical and literary (idealist and symbolist, respectively) movements he’s talking about, but I think that Trotsky makes a few essential points that are in line with later interpretations advanced by Adorno.  Which makes me wonder, did Adorno et al. perhaps read this essay? Was it available in German, even if not in English? The essay’s title in English would be “Starved for ‘Culture'” or something like that, from 1908.

Note the succession in the last paragraph: Nietzsche, Kant, the Marquis de Sade! Recall the second chapter of Dialectic of Enlightenment, where precisely these figures were juxtaposed with respect to the morality of the individual under enlightened bourgeois subjectivity.

Our impoverished “decadence” of the 1890’s was not the first declaration of aristocratic, or even intellectual-bourgeois aestheticism. But from the outset, how gutless (even cowardly) it was! It scarcely dared stammer on about the absolute end-in-itself of the aesthetic (though principally erotic) “tremor” [«трепета»], or of its protest against “tendentiousness” — i.e., in practice, against the grand morality of political obligations, which gravitated toward literature and strove to give the appearance of struggling against moralizing populism. This helped it come under the aegis of the journalistic Marxism of the time, which was of little interest to the Decadents taken on its own terms. They were both still psychologically connected, if you will, by the fact that both proclaimed a “new word” and both were in the minority. The Petersburg journal Life, a combination of third-rate Marxism and kitschy aestheticism printed on good paper for an inexpensive price, was the fruit of this strange coupling. Increasing colossally overnight, the vogue appeal of Gorkii developed in the same period. According to the current definition, the tramp symbolizes the revolt against petit-bourgeois philistinism. Untrue! On the contrary! For broad groups of intellectuals, the tramp turned out to be precisely the symbol of the sudden rise of petit-bourgeois [мещанского, also connotes “philistine”] individualism. Off with one’s burdens! It’s time to straighten one’s back! Society is nothing more than an imperceptible abstraction. I — and this is me! — here came to the aid of Nietzsche. In the West, he appeared as the final, most extreme word in philosophical individualism because he was also the negation and overcoming of petit-bourgeois individualism. But for us Nietzsche was forced to perform a quite different task: we smashed his lyrical philosophy into fragments of paradoxes and threw them into circulation as the hard cash of a petty, pretentious egoism…

Наш жалконький «декаданс» 90-Ñ… годов — и был этим первым провозглашением не дворянского, а интеллигентско-мещанского эстетизма. Но как он был по первоначалу робок, даже труслив! Он едва смел заикаться об абсолютной самоцельности эстетического (главным образом эротического) «трепета» и своему протесту против «тенденциозности», Ñ‚.-е. на деле против больших нравственно-политических обязательств, тяготевших на литературе, старался придать вид борьбы против морализующего народничества. Это помогло ему стать под защиту тогдашнего журнального марксизма, который сам по себе декадентов мало интересовал. Их, пожалуй, еще психологически связывало то, что оба провозглашали «новое слово» и оба были в меньшинстве. Петербургский журнал Ð–изнь, комбинация из дешевого марксизма и дешевого эстетизма, на хорошей бумаге и за недорогую цену, явился плодом этой странной связи. Колоссальная, в 24 часа выросшая, популярность Горького — явление той же эпохи. По ходячему определению, босяк был символом бунта против мещанства. Неправда! Как раз наоборот! Для широких групп интеллигенции босяк оказался именно символом воспрянувшего мещанского индивидуализма. Долой ношу! Пора выпрямить хребет! Общество — лишь неуловимая абстракция. Я — это я! — На помощь пришел Ницше. На Западе он явился, как последнее, самое крайнее слово философского индивидуализма и потому — как отрицание и преодоление индивидуализма мещанского. У нас же Ницше заставили выполнять совсем другую работу: его лирическую философию разбили на осколки парадоксов и пустили их в оборот, как звонкую монету маленького претенциозного эгоизма… Continue reading

Platypus primary Marxist reading group, Fall 2012–Winter 2013

Fall 2012 – Winter 2013

I. What is the Left? — What is Marxism?

Sundays, 2–5PM EST

Eugene Lang College Building
The New School for Social Research
65 West 11th Street, Room 258
New York, NY 10011

• required / + recommended reading

Marx and Engels readings pp. from Robert C. Tucker, ed., Marx-Engels Reader (Norton 2nd ed., 1978)


Week A. Aug. 4–5, 2012

Whoever dares undertake to establish a people’s institutions must feel himself capable of changing, as it were, human nature, of transforming each individual, who by himself is a complete and solitary whole, into a part of a larger whole, from which, in a sense, the individual receives his life and his being, of substituting a limited and mental existence for the physical and independent existence. He has to take from man his own powers, and give him in exchange alien powers which he cannot employ without the help of other men.
– Jean-Jacques Rousseau, On the Social Contract (1762)

• epigraphs on modern history and freedom by James Miller (on Jean-Jacques Rousseau), Louis Menand (on Edmund Wilson), Karl Marx, on “becoming” (from the Grundrisse, 1857–58), and Peter Preuss (on Nietzsche)
+ Rainer Maria Rilke, “Archaic Torso of Apollo” (1908)
+ Robert Pippin, “On Critical Theory” (2004)
• Jean-Jacques Rousseau, Discourse on the Origin of Inequality (1754) PDFs of preferred translation (5 parts):[1] [2] [3] [4] [5]
• Rousseau, selection from On the Social Contract (1762)


Week B. Aug. 11–12, 2012

• G.W.F. Hegel, Introduction to the Philosophy of History (1831) [HTML] [PDF pp. 14-128]


Week C. Aug. 18–19, 2012

• Friedrich Nietzsche, On the Use and Abuse of History for Life (1874) [translator’s introduction by Peter Preuss]


Week D. Aug. 25–26, 2012

+ Human, All Too Human: Nietzsche: Beyond Good and Evil (1999)
• Nietzsche, selection from On Truth and Lie in an Extra-Moral Sense (1873)
• Nietzsche, On the Genealogy of Morals: A Polemic (1887)


Week E. Sep. 1–2, 2012 Labor Day weekend

• Martin Nicolaus, “The unknown Marx” (1968)
• Moishe Postone, “Necessity, labor, and time” (1978)
• Postone, “History and helplessness: Mass mobilization and contemporary forms of anticapitalism” (2006)
+ Postone, “Theorizing the contemporary world: Brenner, Arrighi, Harvey” (2006)


Week F. Sep. 8–9, 2012

• Juliet Mitchell, “Women: The longest revolution” (1966)
• Clara Zetkin and Vladimir Lenin, “An interview on the woman question” (1920)
• Theodor W. Adorno, “Sexual taboos and the law today” (1963)
• John D’Emilio, “Capitalism and gay identity” (1983)


Week G. Sep. 15–16, 2012

• Richard Fraser, “Two lectures on the black question in America and revolutionary integrationism” (1953)
• James Robertson and Shirley Stoute, “For black Trotskyism” (1963)
+ Spartacist League, “Black and red: Class struggle road to Negro freedom” (1966)
+ Bayard Rustin, “The failure of black separatism” (1970) 
• Adolph Reed, “Black particularity reconsidered” (1979)
+ Reed, “Paths to Critical Theory” (1984)


Week H. Sep. 22–23, 2012

• Wilhelm Reich, “Ideology as material power” (1933/46)
• Siegfried Kracauer, “The mass ornament” (1927)
+ Kracauer, “Photography” (1927)


Week 1. Sep. 29–30, 2012

• epigraphs on modern history and freedom by Louis Menand (on Marx and Engels) and Karl Marx, on “becoming” (from the Grundrisse, 1857–58)
• Chris Cutrone, “Capital in history” (2008)
• Cutrone, “The Marxist hypothesis” (2010)


Week 2. Oct. 6–7, 2012

• Immanuel Kant, “Idea for a universal history from a cosmopolitan point of view” and “What is Enlightenment?”(1784)
• Benjamin Constant, “The liberty of the ancients compared with that of the moderns” (1819)
+ Jean-Jacques Rousseau, Discourse on the origin of inequality (1754)
+ Rousseau, selection from On the social contract (1762)


Week 3. Oct. 13–14, 2012

• Max Horkheimer, selections from Dämmerung (1926–31)
• Adorno, “Imaginative Excesses” (1944–47)


Week 4. Oct. 20–21, 2012

• Leszek Kolakowski, “The concept of the Left” (1968)
• Marx, To make the world philosophical (from Marx’s dissertation, 1839–41), pp. 9–11
• Marx, For the ruthless criticism of everything existing (letter to Arnold Ruge, September 1843), pp. 12–15


Week 5. Oct. 27–28, 2012

• Marx, selections from Economic and philosophic manuscripts (1844), pp. 70–101
• Marx and Friedrich Engels, selections from the Manifesto of the Communist Party (1848), pp. 469-500
• Marx, Address to the Central Committee of the Communist League (1850), pp. 501–511


Week 6. Nov. 3–4, 2012

• Engels, The tactics of social democracy (Engels’s 1895 introduction to Marx, The Class Struggles in France), pp. 556–573
• Marx, selections from The Class Struggles in France 1848–50 (1850), pp. 586–593
• Marx, selections from The 18th Brumaire of Louis Bonaparte (1852), pp. 594–617


Week 7. Nov. 10–11, 2012

+ Karl Korsch, “The Marxism of the First International” (1924)
• Marx, Inaugural address to the First International (1864), pp. 512–519
• Marx, selections from The Civil War in France (1871, including Engels’s 1891 Introduction), pp. 618–652
+ Korsch, Introduction to Marx, Critique of the Gotha Programme (1922)
• Marx, Critique of the Gotha Programme, pp. 525–541
• Marx, Programme of the Parti Ouvrier (1880)


Week 8. Nov. 17–18, 2012

• Marx, selections from the Grundrisse (1857–61), pp. 222–226, 236–244, 247–250, 282–294
• Marx, Capital Vol. I, Ch. 1 Sec. 4 “The fetishism of commodities” (1867), pp. 319–329


Week 9. Nov. 24–25, 2012 Thanksgiving break


Winter break readings

+ Richard Appignanesi and Oscar Zarate / A&Z, Introducing Lenin and the Russian Revolution / Lenin for Beginners (1977)
+ Sebastian Haffner, Failure of a Revolution: Germany 1918–19 (1968)
+ Edmund Wilson, To the Finland Station: A Study in the Writing and Acting of History (1940), Part II. Ch. (1–4,) 5–10, 12–16; Part III. Ch. 1–6
+ Tariq Ali and Phil Evans, Introducing Trotsky and Marxism / Trotsky for Beginners (1980)
+ James Joll, The Second International 1889–1914 (1966)


Week 10. Dec. 1–2, 2012 / Jan. 5–6, 2013

• Georg Lukács, “The phenomenon of reification” (Part I of “Reification and the consciousness of the proletariat,”History and Class Consciousness, 1923)


Week 11. Dec. 8–9, 2012 / Jan. 12–13, 2013

• Lukács, Original Preface (1922), “What is Orthodox Marxism?” (1919), “Class Consciousness” (1920),History and Class Consciousness (1923)
+ Marx, Preface to the First German Edition and Afterword to the Second German Edition (1873) of Capital(1867), pp. 294–298, 299–302


Week 12. Dec. 15–16, 2012 / Jan. 19–20, 2013

• Korsch, “Marxism and philosophy” (1923)
+ Marx, To make the world philosophical (from Marx’s dissertation, 1839–41), pp. 9–11
+ Marx, For the ruthless criticism of everything existing (letter to Arnold Ruge, September 1843), pp. 12–15
+ Marx, “Theses on Feuerbach” (1845), pp. 143–145

Has the 20th century passed in vain?

Here’s the video of my overly long presentation (practically a monologue) on Trotskii’s excellent 1906 reflection, Results and Prospects. Sadly, James was sick yesterday, and Lisa’s been out of town.  Plus Eugene has been really bogged down with schoolwork, and Sidd and Yoni weren’t around.  So the attendance was a bit light, but whatever:

[vodpod id=Video.16146691&w=425&h=350&fv=vid%3D20692187%26amp%3Bautoplay%3Dfalse]

Basically, the thrust of my interpretation of this text centers around Trotskii’s remark in the third chapter that “The 19th century has not passed in vain,” which I contend can be understood in a twofold sense:

1. First, at a purely objective level, in terms of the social and economic means of production, the 19th century has not passed in vain. Capitalism has developed and expanded in an irreversible manner, both extensively (as an increasingly global system) and intensively (with accelerating technological rapidity). The productive capacities of mankind are greater today than at any prior point in recorded history. Thus, we cannot go back to 1789, 1848, 1871, etc. The world is more prepared than ever to overcome capitalism on the basis of capitalism itself.

2. Moreover, at a subjective level, in terms of the development of an historical and political consciousness in a prospective revolutionary class, the 19th century has not passed in vain. After the great fissure within modern (civil) society burst into the open in June 1848, a radical and international working-class movement has gained more and more momentum, reaching its peak in the 1890s around the Second International and continuing into the first two decades of the twentieth. The potential political agency of a self-conscious social subject has risen to an unprecedented degree. Thus, we are in a better place, politically, than the revolutionary bourgeoisie in 1789, the nascent working-class movement in the Insurrection of 1848, or the communards of 1871.

Poster commemorating the 1905 sailors’ mutiny aboard the Battleship Potemkin, an important symbolic event in the Russian Revolution of 1905

In light of Trotskii’s assertion in 1906 that “History does not repeat itself…The 19th century has not passed in vain,” I thus asked an analogous question with respect to our present moment, wondering

Has the 20th century passed in vain? Continue reading

Radical Bourgeois Philosophy Summer Reading Group

I am eagerly looking forward to the Platypus Affiliated Society’s New York chapter reading group for the summer, which will focus on “Radical Bourgeois Philosophy.”  Having already completed the main readings that lay the theoretical foundation for the group’s political outlook, I feel it will be profitable to better acquaint myself with the texts of classical liberalism and political economy.  Marxists, in their rejection of liberal democracy and bourgeois ideology, all-too-often forget the genuinely progressive legacy of liberalism and the revolutionary role played by the bourgeoisie in history.  This legacy is nowhere better illustrated than in the texts of some of their foremost thinkers — Locke, Hume, Voltaire, Rousseau, Smith, Kant, Hegel, Ricardo, and Nietzsche.  Marx’s own deep, if critical, respect for these thinkers (minus Nietzsche, who came later) cannot be ignored.

The following is the reading list and schedule for film screenings related to the subject:

Reading group and History of Humanity Film Screenings & Lectures

Eric Hobsbawm, The Age of Revolution 1789–1848 [PDF]

June 26 – August 21
New York University Puck Building
295 Lafayette St. 4th floor

We will address the greater context for Marx and Marxism through the issue of bourgeois radicalism in philosophy in the 18th and 19th Centuries. Discussion will emerge by working through the development from Kant and Hegel to Nietzsche, but also by reference to the Rousseauian aftermath, and the emergence of the modern society of capital, as registered by liberals such as Adam Smith and Benjamin Constant.

“The principle of freedom and its corollary, “perfectibility,” . . . suggest that the possi- bilities for being human are both multiple and, literally, endless. . . . Contemporaries like Kant well understood the novelty and radical implications of Rousseau’s new principle of freedom [and] appreciated his unusual stress on history as the site where the true nature of our species is simultaneously realized and perverted, revealed and distorted. A new way of thinking about the human condition had appeared. . . . As Hegel put it, “The principle of freedom dawned on the world in Rousseau, and gave infinite strength to man, who thus apprehended himself as infinite.”

– James Miller (author of The Passion of Michel Foucault, 2000), Introduction to Rousseau, Discourse on the Origin of Inequality (Hackett, 1992)

SCHEDULE:

June 26 | 1PM

Chris Cutrone, “Capital in History”
Robert Pippin, “On Critical Theory” [HTML Critical Inquiry 2003]
Rousseau, Discourse on the Origin of Inequality

Film screening | 4:30PM

Marie Antoinette (2006)

June 30 | 6:30PM

Thursday evening lecture

“History of humanity pre-1750”

July 3 | 1pm

Rousseau, selection from The Social Contract

Film screening | 4:30PM

Jefferson in Paris (1995)

July 10 | 1pm

Adam Smith, selections from The Wealth of Nations
Volume I
Introduction and Plan of the Work
Book I: Of the Causes of Improvement…
I.1. Of the Division of Labor
I.2. Of the Principle which gives Occasion to the Division of Labour
I.3. That the Division of Labour is Limited by the Extent of the Market
I.4. Of the Origin and Use of Money
I.6. Of the Component Parts of the Price of Commodities
I.7. Of the Natural and Market Price of Commodities
I.8. Of the Wages of Labour
I.9. Of the Profits of Stock
Book III: Of the different Progress of Opulence in different Nations
III.1.
 Of the Natural Progress of Opulence
III.2. Of the Discouragement of Agriculture in the Ancient State of Europe after the Fall of the Roman Empire
III.3. Of the Rise and Progress of Cities and Towns, after the Fall of the Roman Empire
III.4. How the Commerce of the Towns Contributed to the Improvement of the Country
Volume II
IV.7. Of Colonies
Book V: Of the Revenue of the Sovereign or Commonwealth
V.1. Of the Expences of the Sovereign or Commonwealth

Film screening | 4:30PM

Danton (1983)

July 14 | 6:30PM

Thursday evening lecture

“History of humanity 1750–1815”

July 17 | 1pm

Benjamin Constant, “The Liberty of the Ancients Compared with that of the Moderns”
Kant, “What is Enlightenment? ,” and “Idea for a Universal History from a Cosmopolitan Point of View”

Film screening | 4:30PM

Amistad (1997)

July 24 | 1pm

Kant, Groundwork for the Metaphysics of Morals
Kant, “On the Common Saying: That May be Correct in Theory, But it is of No Use in Practice” [HTML part 2]

July 31 | 1pm

Hegel, Introduction to The Philosophy of History [HTML] [PDF pp. 14-128]

Film screening | 4:30PM

selected scene from Gettysburg (1993) “No Divine Spark” Glory (1989)

August 4 | 6:30PM

Thursday evening lecture

“History of humanity 1815–48”

August 7 | 1pm

Nietzsche, The Use and Abuse of History for Life [translator’s introduction by Peter Preuss]
Nietzsche, selection from On Truth and Lie in an Extra-Moral Sense

Film screening | 4:30PM

Nietzsche: Human, All Too Human (1999)

August 14 | 1pm

Nietzsche, On the Genealogy of Morals: A Polemic

Film screening | 4:30PM

Reds (1981)

August 21: Coda | 1pm

Marx, To make the world philosophical, Robert Tucker, ed., Marx-Engels Reader (Norton 2nd ed., 1978) pp. 9–11
Marx, For the ruthless criticism of everything existing, Marx-Engels Reader pp. 12–15
Marx, Theses on Feuerbach, Marx-Engels Reader pp. 143–145
Marx, On [Bruno Bauer’s] The Jewish Question, Marx-Engels Reader pp. 26–52
Marx, The coming upheaval [see bottom of section, beginning with “Economic conditions had first transformed the mass”] (from The Poverty of Philosophy, 1847), Marx-Engels Reader pp. 218–219
Marx and Engels, Communist Manifesto, Marx-Engels Reader pp. 469–500