Russia

Dawn and decline: Two eschatological visions in turn-of-the-century Russia

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IMAGE: 19th-century Russian
premonitions of a new “Mongolism”
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“People who witness the beginning of great and momentous events, who can obtain only very incomplete, inexact, and third-hand information of what is taking place, will not, of course, hazard a definite opinion until a timelier moment comes.  The bourgeois papers, which continue as of old to speak of revolt, rioting, and disturbances, cannot help seeing the truly national, nay, international, significance of these events.  Yet it is this significance which invests events with the character of revolution.  And those who have been writing of the last days of the rioting find themselves involuntarily referring to them as the first days of the revolution.  A turning-point in Russia’s history has been reached.”

Lenin, “What is Happening in Russia?” From Revolutionary Days, January 1905

It has often been noted by historians of the period that a distinctly apocalyptic mood prevailed throughout large sections of the Russian intelligentsia from the last decade of the nineteenth century up through the 1917 Revolution.  Even ideological tendencies that lay in great tension with one another (if not in direct antithesis) found a common outlook in this respect.  This observation certainly finds support in the writings of the major representatives of these movements.  Intellectual currents as far apart as Marxist materialism and religio-philosophical idealism at this time both shared the sense that one age was coming to an end and another was now appearing on the horizon.  This common understanding served as the lens through which the major events of the day were interpreted, events which in turn then helped to modify the structure of these discourses.

In a strange way, many parallels existed between these two major schools of thought, Marxist materialism and religio-philosophical idealism.  These movements, which stood in starker contrast to one another than perhaps any other pair to be found amongst the Russian intelligentsia, possessed a number of similar concerns.  Each struggled to ascertain Russia’s national character, and thus grappled with questions of the country’s unique historical development and its possible role in shaping world history.  Radical political theorists like Lenin and Trotskii and religious philosophers like Vladimir Solov’ev and Sergei Bulgakov were both interested in Russia’s relation to European modernity and to its own barbaric, “Asiatic” past.  Moreover, members from these rival camps each held that Russia was to play an important part in an impending world crisis — either as the savior of European civilization from its own spiritual degeneracy or as a gateway through which revolution would spread to the most advanced industrial nations of the West.

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Thomas Jeffrey’s 1762 Map of “Russia, or Muscovy in Europe”

A comparison of Larry Wolff’s Inventing Eastern Europe and Richard Wortman’s Scenarios of Power

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IMAGE: Thomas Jeffrey’s 1762 map
of “Russia, or Muscovy in Europe”
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Larry Wolff’s Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment and Richard Wortman’s Scenarios of Power: Myth and Ceremony in Russian Monarchy from Peter the Great to the Abdication of Nicholas II can be seen as approaching the same problem from two different angles. The problem is what exactly constitutes Europe, and the position of what came to be known as Eastern Europe in relation to Europe proper. Both studies are concerned with the peculiar case of a political and geographic entity that either appeared to foreigners as “European, but not quite,” or self-consciously conceived of itself that way. In the most general terms, Wolff approaches this problem from the angle of Eastern Europe by showing how it was envisioned (and indeed “invented”) by visitors from the West. Oppositely, Wortman is interested in how Europe was understood and represented by the tsarist regime in Russia. Continue reading →

The aesthetics of Russian Orthodox Church architecture: A philosophical, historical, and critical investigation

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IMAGE: Icon from
Novgorod (1450s)
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Though the subject of iconography has historically dominated the Orthodox discourse on aesthetics in terms of both the dogmas and philosophical reflections devoted to it, suggesting a certain “privileging” of the visual, church ritual engages all five of the senses.  Pavel Florenskii highlighted the comprehensive nature of the aesthetic experience of the Orthodox liturgy in his 1922 article “The Church Ritual as a Synthesis of the Arts.”  The ritual, as he pointed out, combines visual, audial, tactile, and olfactory phenomena to produce “the highest synthesis of heterogeneous artistic activities.”[1] The embroidered liturgical robes of the clergy, along with the smell of incense and the sound of the priest’s chanting or the singing of the choir, also form an essential part of the aesthetics of Orthodox ritual.  Less attention has been paid, however, to the role of church architecture in producing the total aesthetic effect of a service.  Aside from the work of architectural historians, this aspect of Orthodoxy has largely been overlooked.  The present study proposes to take up the question of architecture’s contribution to the aesthetics of Orthodoxy more generally, and then provide an historical account of the more traditional Russian style specifically.  Finally, it will critically engage the thoughts of one prominent 20th-century Russian writer whose work touched on this topic, Evgenii Trubetskoi.

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Continuities and discontinuities in the Russian perception of Europe

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IMAGE: Portrait of Aleksandr Herzen (1848)
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Since the reign of Peter the Great, there have existed a number of continuities and discontinuities in the Russian perception of Europe.  Even at any single given time, there was usually disagreement over how European society was to be interpreted, and whether the qualities it was thought to possess should or even could be emulated by Russia.  Often there was even a consensus about what characterized the West, but opinions were split when it came to the desirability of Europeanization.  As time passed, the set of terms used to discuss Europe changed slightly, and the positions of the various thinkers and schools of thought shifted as well.  Nevertheless, they nearly all agreed that there had been a fundamental difference between the development of Russian and mainstream (Western, Romano-German) European society.  And despite the changing nature of the Russian discourse on Europe, several categories remained fairly constant throughout and were continuously revisited by its participants.  So while the specific configuration of these categories was bound to be different in each age, a few common threads can be established between them.

In explaining the separate path of Western European development, a few factors were consistently identified by Russian intellectuals as accounting for this difference.  Most agreed that the religious establishment of Roman Catholicism had exerted a powerful influence on the subsequent social, political, and intellectual growth of Europe.  This was contrasted with Russia’s inheritance of Greek Christianity from Byzantium, which soon thereafter became estranged from the Western Church.  Many other Russians pointed to the residual impact of the Roman legal code on the political and juridical development of the West.  Some believed that the different geographical conditions of Russia and Western Europe had been a decisive determinant in their respective histories.  The precise relationship of these factors to one another and the particular emphasis given to each point shifted from thinker to thinker, but they were still the most common themes in the Russian discourse on European history.

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